Day to week lasting courses, seminars, communications

  1. Course for improvement in musical education (Professors Centre, León, 1985-86).
  2. Seminar of Musical Acoustics and Contemporary Music (León, 1985-86).
  3. Courses of Musical Acoustics (León, 1986-87; Oviedo, 1987; Astorga, 1992; Salamanca, 1997).
  4. Courses in Universidad de Alcalá de Henares:

4.1. Musical Analysis in 1875-1918 period and Acoustics of new sounds of this period (1990).
4.2. Last works for piano of  F. Liszt (1991).
4.3. Musical Analysis and Philosophy: commentaries around “Philosophy of Music” of  J.D. García Bacca (1993).
4.4. Beethoven: aesthetic approach through his piano sonatas (1994).
4.5. Introduction to the 3rd course of Analysis of Contemporary Music imparted by Arturo Tamayo. Boulez: “Le Marteau sans maître” and “Tombeau” from “Pli selon pli” (1994).
4.6. Methods of musical analysis in action: functional analysis, modal analysis, set theory, structural analysis (1995).
4.7. Analysis of sonatas nº 1, 13, 20 and 21 of Beethoven (2003).
4.8. Analysis in Intermediate Degree (2005).
4.9. The Iberian sonata from XVIII century: An essential repertory. (2009).
4.10. Analytical approach to the chamber music (2011).

  1. Annual cycles of musical auditions in Universidad de Alcalá de Henares: History of Music (1994); The opera in images (1995); The opera and its environment (1996); The opera of the Teatro Real (1997-98); Four centuries of opera (1998-99); The opera and its time (1999-2000); Music in scene: opera and film I (2000-2001); Music in scene: opera and film II (2001-2002); Music in scene: opera and film III (2002-2003).
  2. Auditions and analysis in the Conservatorio Arturo Soria: Wozzeck (Berg); Metastaseis (Xenakis); Gruppen (Stockhausen); Die Soldaten (Zimmermann); Salome (R.Strauss); The Rake’s Progress (Stravinsky); Le marteau sans maître (Boulez); Ionisation and Arcana (Varèse); The Bassarids (H.W. Henze).
  3. Auditions and analysis in the Real Conservatorio Superior de Música de Madrid: Ancient Voices of Children (G. Crumb); Symphony no. 5 (Bruckner); Wozzeck (Berg); Turangalîla Symphony (Messiaen); Oedipus Rex (Stravinsky); Die Soldaten (Zimmermann).
  4. Courses in Conservatorio Superior de Salamanca: course of Musical Analysis until XIX century (1997); course of Musical Analysis in the XX century (1998).
  5. Didactics of closeness and analysis to the music of XX century applied to secondary school (Service of Pedagogic Renovation “Las Acacias”, Comunidad de Madrid, 1998).
  6. Course of Musical Analysis (Conservatorio de Puertollano, 1999).
  7. Course of Musical Analysis of XX century (Cons. Prof. de Cuenca, 2001).
  8. Course of Musical Analysis of XX century (Cons. Superior de Sevilla, 2001).
  9. Course of Musical Analysis of XX century (Cons. de León, 2002).
  10. Course History of sacred music for the C.A.P. de El Escorial (2003).
  11. Course of Musical Analysis of XX century (Cons. de Calahorra, 2004).
  12. Course of Musical Analysis of second half of XX century (Cons. Prof. de Palencia, 2004).
  13. Course of Musical Analysis of XVIII and XIX century (Cons. Elem. de Calahorra, 2005).
  14. Course: Poetics and musical Forms (Cons. Superior de Salamanca, 2005, 2006, 2007).
  15. Course of Musical Analysis of second half of XX century (Cons. Prof. de Logroño, 2005).
  16. Course of Musical Analysis (Cons. Prof. de Melilla, 2006).
  17. Course of Musical Analysis of Romantic Music, organised in Fundación Universidad de Verano de Castilla y León (Segovia, 2006).
  18. Courses: The Iberian Sonata in XVIII century (from D. Scarlatti to Mateo Albéniz) and The Spanish Music in XX century (from Isaac Albéniz to Francisco Guerrero), in an Erasmus interchange between teachers, imparted in ‘Conservatorio di Musica de Bari’ (2009).
  19. Courses: Methodology of sonata, The iberian sonata in XVIII century (from D. Scarlatti to Mateo Albéniz) and The Spanish Music in XX century (from Isaac Albéniz to Francisco Guerrero), in an Erasmus interchange between teachers, imparted in ‘Istituto Superiore di Studi Musicali di Caltanissetta’, Sicily, Italy (2013).
  20. Course: Methodology of Analysis applied to Chamber Music, in Regional Centre for Renovation and Innovation “Las Acacias” (2014).
  21. Course: The Music of XX and XXI centuries: Analysis and incorporation to programmes in conservatories, in Regional Centre for Renovation and Innovation “Las Acacias” (2015).

LECTURES

  1. Lecture about the opera Wozzeck from Alban Berg, for the Association of Friends of the Opera of Madrid (1994).
  2. Lecture in the Hochschule für Musik (Cologne) and in the Beethovenshaus (Bonn): Anmerkungen für ein Konzert [Notes for a Concert], with analysis of works from J.L. Turina, M. Dimbwadyo and Enrique Igoa before a concert of Mª Luz Rivera (1998).
  3. Lecture about Formal, harmonic and dramatic features in Falstaff (Interdisciplinary Conference about G. Verdi, 2001).
  4. Lecture about Il trovatore for the Joven Orquesta Nacional de España. Conservatorio Jesús de Monasterio de Santander (2001).
  5. Lecture about symphonic poems of Franck and Liszt in the congress Word and Music held at the Universidad Complutense de Madrid (2001).
  6. Lecture about The opera in XX century. Escuela Municipal de Música de Talavera de la Reina (2002).
  7. Lecture about the opera Wintermärchen of Philippe Boesmans in the Universidad de Alcalá de Henares (2003).
  8. Lecture about Musical Analysis and performing. Conservatorio Profesional de Logroño (2004).
  9. Lecture about the opera L’elisir d’amore of Donizetti in the Universidad de Alcalá de Henares (2005).
  10. Lecture about the opera Jenůfa of Leoš Janaček in the Universidad de Alcalá de Henares (2005).
  11. Lecture about The opera in the XX century. Escuela Municipal de Música de Majadahonda (2005).
  12. Lecture and presentation of his book El legado musical de Ángel Barja. La música instrumental [The musical legacy of Ángel Barja. The instrumental music] in the “Ángel Barja Memorial”, Conservatorio Profesional de León (2006) and Conservatorio Elemental de Astorga (2006).
  13. Lecture commemorative at 20 years of the death of Ángel Barja. Conservatorio Profesional de León (2007).
  14. Lecture about Analysis and audition: relationship and examples in the work of Francisco Guerrero, for the Course of Music and Heritage organised by the V Festival de Música Española de Cádiz (2007).
  15. Lecture about the Viennese School for the course European Cities: Vienna, organised by the Universidad Complutense de Madrid (2008).
  16. Lecture about the music of the family Halffter: Analysis of Dos sonatas de El Escorial of R. Halffter and Debla & Cadencia of C. Halffter, and paper about the contemporary opera (Q. Don Quijote en Barcelona of J.L. Turina) en the frame of the IV Conference of Contemporary Music of the Conservatorio Profesional “Ángel Barrios” de Granada (2009).
  17. Lecture about Benjamin Britten for the course European Cities: London, organised by the Universidad Complutense de Madrid (2009).
  18. Lecture about “György Ligeti: from micropoliphony to evocation” (Lux Aeterna, Kammerkonzert, Étude nr.1) for the Conservatorio Profesional “Ángel Barrios” de Granada (2010).
  19. Lecture about the music in New York for the Universidad Complutense de Madrid (2010), in the frame of the course Multilingualism and multiculturalism in the North American urban area: New York.
  20. Lecture about Internal Rhythm and Biologic Time. A creative Counterpoint. Course “From the Rhythm”. Casa encendida, Madrid (2012).
  21. Lecture-introduction of his edition of 20 Sonatas of Antonio Soler. Real Conservatorio Superior de Música de Madrid (2012).
  22. Papers: Presentation of the edition of 20 Sonatas of A. Soler and The question of form in the sonatas of A. Soler. International Symposium “New Perspectives on the Keyboard Works of Antonio Soler”. FIMTE 2012 (Festival Internacional de Música de Tecla Española). Mojácar, Almería, 2012.
  23. Lecture-introduction of his edition of 20 Sonatas of Antonio Soler. Conservatorio Profesional Teresa Berganza (2013). Conservatorio Profesional Joaquín Turina (2013). Centro Integrado de Música “Antonio Soler” de El Escorial (2013). Conservatorio Profesional “Adolfo Salazar” (2014). Conservatorio Profesional Arturo Soria (2014). Teatre Principal de Olot, invited by Institut de Cultura d’Olot, Gerona (2014).
  24. Master class: The question of form in the sonatas of A. Soler, for the Master in Hispanic and Hispanic American Music at the Universidad Complutense de Madrid (2014).
  25. Paper: Approach to the analysis of symphonic music for the course of Musical Analysis at the Universidad Autónoma de Madrid in Campo de Criptana (2-4 of July, 2014).
  26. Master class: The analysis in the Access test to the Conservatorio Superior. Conservatorio Jacinto Guerrero de Toledo (2015).
  27. Master class: Methodology of the sonata, for the Master in Hispanic and Hispanic American Music at the Universidad Complutense de Madrid (2015).
  28. Lecture: Musical Theory and creation: mutual contributions for the course Analysis II organized by Universidad Autónoma in Campo de Criptana (2015).
  29. Lecture: The musical Baroque. Museo del Prado de Madrid (2015).