{"id":259,"date":"2017-10-16T09:24:36","date_gmt":"2017-10-16T09:24:36","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=259"},"modified":"2022-01-19T12:43:21","modified_gmt":"2022-01-19T12:43:21","slug":"obras-para-voz","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/obras-para-voz\/","title":{"rendered":"Works for solo voice"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb187841″][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ uncode_shortcode_id=\u00bb879426″][vc_column_text uncode_shortcode_id=\u00bb743210″]<\/p>\n

Imagen: partitura\u00a0OP.18 CANCIONES<\/em><\/p>\n

 <\/p>\n

<\/div>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb143455″]<\/p>\n

Solo voice and instrument<\/strong><\/span><\/h4>\n

OP.12\u00a0 CANCIONES NORTE\u00d1AS\u00a0<\/strong>Alto or mezzosoprano and piano (Madrid, 1983)<\/span><\/p>\n

……………………………………………<\/span><\/p>\n

OP.13\u00a0 VOCALISE\u00a0 <\/strong>Mezzosoprano and piano (Madrid, 1983)<\/span><\/p>\n

Lasting time: <\/em>2\u2019 15\u2019\u2019
\n<\/strong>First perform.: Soraya Chaves (mezzo), E. Igoa (p.) – R.C.S.M.M. – 1.5.1992<\/em><\/span><\/p>\n

……………………………………………<\/p>\n

\"\"OP.18\u00a0 DOS\u00a0CANCIONES\u00a0 <\/strong>Sopran and piano\u00a0 (Madrid, 1986)<\/span><\/p>\n

Lasting time: <\/em>4\u2019 30\u2019\u2019
\n<\/strong>First perform.: Mercedes Mart\u00ednez y Luis Ricoy – R.C.S.M.M. – 30.3.1992
\n<\/em>Edition: Editorial de M\u00fasica Moderna (1992). Distribution: E. Igoa<\/i><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb553321″]<\/p>\n

\"\"OP.25\u00a0 LOGOS ONEIRON\u00a0<\/strong>Sopran or actress, piano & electronics\u00a0 (Madrid, 1995-97)<\/p>\n

Lasting time: <\/em>15\u2019 28\u2019\u2019
\n<\/strong>First perform.: Bel\u00e9n Guti\u00e9rrez (actress), Gonzalo Manzanares (piano) \u2013\u00a0<\/em>Auditorio del Museo Nacional de Arte Contempor\u00e1neo Reina Sof\u00eda \u2013 <\/em>IV Jornadas de Inform\u00e1tica y Electr\u00f3nica Musical – 31.7.1997
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE\/\/LIEM-CDMC<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb732302″]OP.38b LABERINTO DE SOLEDAD<\/strong>\u00a0Voice and piano (Madrid, 2002) Three arias and two poems with music from Interlude 5\/6 of La profesi\u00f3n<\/strong><\/p>\n

Lasting time: <\/em>16\u2019 10\u2019\u2019<\/strong><\/span><\/p>\n

……………………………………………<\/p>\n

MODOS Y RITMOS<\/strong> Lesson of Musical Language. Voice and piano (Madrid, 2019)<\/p>\n

Lasting time:<\/em> 2\u2019 45\u2019\u2019<\/strong>
\nEdition:<\/em> El lenguaje de los compositores actuales. Ed. M\u00fasica Did\u00e1ctica, 2019[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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