{"id":269,"date":"2017-10-16T09:49:35","date_gmt":"2017-10-16T09:49:35","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=269"},"modified":"2026-01-07T17:00:35","modified_gmt":"2026-01-07T17:00:35","slug":"musica-de-camara","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/musica-de-camara\/","title":{"rendered":"Chamber Music"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb187841″][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ uncode_shortcode_id=\u00bb879426″][vc_column_text uncode_shortcode_id=\u00bb537889″]<\/p>\n

Imagen: partitura OP.38c SUITE (tango escondido)<\/em><\/p>\n

 <\/p>\n

<\/div>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb167404″]<\/p>\n

Two instrument<\/span><\/h4>\n

OP.16a DI\u00c1LOGOS\u00a0<\/strong>Flute and guitar\u00a0 (Le\u00f3n, 1985)<\/p>\n

Lasting time: <\/em>6\u2019 10\u2019\u2019
\n<\/strong>Commission: D\u00fao Versus (Le\u00f3n)
\n<\/em>First perform.: Juan Carlos Asensio (fl.), Avelina Vidal (guit.) – Ateneo de <\/em>Madrid – 9.12.1990
\n<\/em>Edition: Editorial de M\u00fasica Moderna (1992). Distribution: E. Igoa<\/i><\/span><\/p>\n

……………………………………….<\/p>\n

\"\"OP.19\u00a0 SUITE AL ESTILO BARROCO\u00a0<\/strong>Recorder and harpsichord * Traverse flute\u00a0and piano or accordion\u00a0 (Madrid, 1987)<\/p>\n

Lasting time. <\/em>12\u2019 50\u2019\u2019
\n<\/strong>First perform.: F\u00e9lix Conde (fl.), Fernando Campillo (p.) – Centro Cultural <\/em><\/span>Villa de Madrid – 31.3.1993<\/span>
\n<\/em>Edition: Editorial Alpuerto (1998)<\/em><\/span><\/a>[\/vc_column_text][vc_single_image media=\u00bb1064″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb202317″][vc_column_text uncode_shortcode_id=\u00bb196824″]……………………………………<\/span><\/p>\n

\"\"OP.22b ESTUDIO VI \u201cSECUENCIAS\u201d<\/strong>\u00a0Violin and marimba\u00a0 (Madrid, 1995)
\n1\u00ba Prize <\/strong>in Marimolin 8th Annual Composition Contest of Princeton, New Jersey (United States)<\/p>\n

Lasting time: <\/em>8\u2019 52\u2019\u2019
\n<\/strong>First perform.: Duo Marimolin \u2013 Columbia Univ., New York – 26.10.1995
\n<\/em>Edition: HoneyRock Publishing (1997)
\n<\/em>Recording: WNYC (New York)<\/em><\/span><\/p>\n

……………………………………….<\/span><\/p>\n

OP.32a TORCAL<\/strong>\u00a0Guitar and accordion (Madrid, 1997 – 1998)<\/p>\n

Lasting time: <\/em>11\u2019 37\u2019\u2019
\n<\/strong>Commission: D\u00fao Contraste (Avelina Vidal y Esteban Algora)
\n<\/em>First perform: D\u00fao Contraste – Theaterforum Kreuzberg (Berlin) – 8.2.1998
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>CD Ta\u00f1idos\u00a0 SRD-289 * Several Records, 2003<\/a><\/em>[\/vc_column_text][vc_single_image media=\u00bb1068″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb301955″][vc_column_text uncode_shortcode_id=\u00bb120945″]………………………………………<\/span><\/p>\n

\"\"OP.32b TORCAL\u00a0\u00a0<\/strong>Piano and accordion (Madrid, 2000)<\/p>\n

Lasting time: <\/em>11\u2019 37\u2019\u2019
\n<\/strong>Commission: \u00c1ngel Huidobro
\n<\/em>First perform.: Carmen Ruiz Merino (p.) y Ulrich Schlumberger (accord.) – <\/em>Staatstheater Braunschweig – 20.03.2006<\/em><\/span><\/p>\n

……………………………………….<\/span><\/p>\n

\"\"OP.33a MANIFIESTO I<\/strong> \u201cLA MIRADA INTERRUMPIDA<\/strong>\u201d\u00a0<\/strong>Violoncello or viola and piano (with reciter or images) (Madrid, 1998)<\/p>\n

Lasting time:<\/em> 10\u2019 30\u2019\u2019
\n<\/strong>Commission: Juan Enrique S\u00e1inz (violoncello), Alberto G\u00f3mez (piano)
\n<\/em>First perform. <\/em>(vc.): Juan Enrique S\u00e1inz and Alberto G\u00f3mez – Auditorio del<\/em>\u00a0Museo Nacional de Arte Contempor\u00e1neo Reina Sof\u00eda – 20.4.1998
\n<\/em>Recording: Radio Cl\u00e1sica de RNE
\n<\/em>First perform. <\/em>(vla.): Mauri\u00e7y Banaszek (viola), Ruben Yessayan (piano) <\/em>and Lilah Grosman <\/em>(voz) – Manhattan School of Music (New York) <\/em>12.6.2002
\n<\/em><\/span>Recording: CD particular<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1026″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb134222″][vc_column_text uncode_shortcode_id=\u00bb113338″]<\/p>\n

Three Instruments<\/span><\/h4>\n

\"\"OP.26\u00a0 ANATEXIA\u00a0 <\/strong>Violin, violoncello and piano (Madrid, 1995)<\/p>\n

Four Instruments<\/span><\/h4>\n

\"\"<\/p>\n

OP.30\u00a0 CUARTETO n\u00ba 1 \u201cSUE\u00d1OS FLUVIALES\u201d\u00a0<\/strong>String quartet (Madrid, 1996)<\/p>\n

Lasting time: <\/em>24\u2019 40\u2019\u2019
\n<\/strong>Commission: Centro para la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea para el\u00a0<\/em>Festival Internacional de M\u00fasica de Santander 1997\u00a0<\/em>First perform.: Quatuor Parisii – Palacio de Festivales (Sala Pereda) \u2013 46 <\/em>Festival Internacional de Santander – 13.8.1997<\/em><\/span>\u00a0<\/span>
\n Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

……………………………………….<\/span><\/p>\n

OP.33b MANIFIESTO I<\/strong> \u201cLA MIRADA INTERRUMPIDA\u201d\u00a0<\/strong>Clarinet, violin, violoncello and piano (with reciter or images) (Madrid, 2007)<\/p>\n

Lasting time: <\/em>10\u2019 30\u2019\u2019
\n<\/strong>Commission: Cuarteto Areteia
\n<\/em>First perform.: Cuarteto Areteia \u2013 A<\/em>uditorio de la Casa de Cultura de Tres <\/em>Cantos (Madrid) \u2013 VII Festival de M\u00fasica Contempor\u00e1nea de Tres <\/em>Cantos – 7.10.2007.
\n<\/em>Recording: Ensemble Musica d\u2019Oggi \u2013 Nicola Ventrella (CD)<\/em><\/span><\/p>\n

……………………………………….<\/p>\n

\"\"OP.35 MANIFIESTO II \u201cLIBERTAD BAJO PALABRA\u201d\u00a0<\/strong>Guitar quartet\u00a0(Madrid, 1998)<\/p>\n

Lasting time: <\/em>8\u2019 30\u2019\u2019
\n<\/strong>Commission: Grupo Antares for the concert held on centenary of birth of <\/em>Federico Garc\u00eda Lorca<\/em> (November-December 1998)\u00a0\u00a0<\/span>
\n First perform.: Cuarteto Antares – Sala de Columnas del C\u00edrculo de Bellas <\/em>Artes \u00a0\u00a0 de Madrid – 9.3.1999<\/em><\/span>\u00a0<\/span>
\n Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

……………………………………….<\/span><\/p>\n

OP.37\u00a0 CUARTETO n\u00ba 2 \u201cLA FRONTERA DE LA LLUVIA\u201d <\/strong>String quartet <\/span>(Madrid, 2000; revision: 2024)<\/p>\n

Lasting time: 7\u2019 32\u2019\u2019<\/span>
\nFirst perform.: Cuarteto 4Sonora – XXVI Festival Internacional de M\u00fasica Contempor\u00e1nea COMA\u201924 – Auditorio Caja de M\u00fasica de CentroCentro – Madrid – 3.11.2024<\/span>[\/vc_column_text][vc_single_image media=\u00bb1141″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb155457″][vc_column_text uncode_shortcode_id=\u00bb579220″]OP.<\/strong>55 MYTHOLOGICA I \u201cIUDICIUM PARIDIS\u201d <\/strong>Clarinet and string trio (Sombreu-Mi\u00f1o, Madrid, July-September 2017)<\/p>\n

Lasting time: <\/em>9\u2019 56\u2019\u2019<\/strong><\/span><\/p>\n

……………………………………….<\/span><\/p>\n

AVE MAR\u00cdA<\/strong> (Bach \u2013 Gounod) Arrangement for clarinet, violin, violoncello and piano from Ave Maria for chorus and organ (Madrid, 2019)
\nWork selected by Ensemble Sound Riot (2019)
\n
\nLasting time:<\/span><\/em> 3\u2019 15\u2019\u2019<\/strong><\/span>
\nFirst perf.:<\/em> Ensemble Sound Riot (Emily Tyndall, cl.; Liz Kitts, vl.; Maggie Chafee, vc.; Amber Thruman, p.) \u2013 Christ Church Cathedral, Nashville, Tennessee (USA) \u2013 29.3.2019<\/span>[\/vc_column_text][vc_single_image media=\u00bb1024″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb444518″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb189250″]<\/p>\n

Five or more instruments<\/span><\/h4>\n

OP.2a PRELUDIO Y FUGA<\/strong>\u00a0Chamber ensemble\u00a0 (Madrid, 1978)<\/p>\n

First perform.: Students from Real Conservatorio Superior de M\u00fasica de <\/em>Madrid \u2013 Cond.: Luis Aguirre – 24.5.1979
\n<\/em>PRELUDIO, BALADA Y FUGA<\/strong>\u00a0 Big-Band with several organic\u00a0(Versions: 1988, 1995, 2001)\u00a0Organic: <\/em>2 alto sax., 2 ten. sax., bar. sax., 4 tpt., 3 trb., guitar, piano,\u00a0double bass and drums<\/span>
\n Lasting time: <\/em>10\u2019 28\u2019\u2019<\/strong> <\/span><\/p>\n

……………………………………….<\/span><\/p>\n

OP.2b BALLAD OF READING GAOL\u00a0<\/strong>Jazz sextet (Revision from Balada<\/em>: 2005)<\/p>\n

Organic: <\/em>tenor sax., trb., guitar, piano, bass, drums<\/span>
\n Lasting time: <\/em>4\u2019 43\u2019\u2019
\n<\/strong><\/span>Soundcloud<\/em><\/a><\/span><\/p>\n

……………………………………….<\/p>\n

\"\"OP.16b DI\u00c1LOGOS\u00a0<\/strong>Sextet or accordion orchestra\u00a0 (Madrid, 1988)<\/p>\n

Lasting time: <\/em>5\u2019 54\u2019\u2019
\n<\/strong>Commission: Concurso \u201cReina Sof\u00eda\u201d de Acorde\u00f3n
\n<\/em>First perform.: Sexteto Volpi – Teatro Consulado (Madrid) – 16.12.1989
\n<\/em>Edition: Ediciones Maravillas. Col. Damiani Autores Espa\u00f1oles (1988)
\n<\/em>Recording: Orquesta de C\u00e1mara \u201cClaroscuros\u201d. Cond.: \u00c1ngel Huidobro.
\n<\/em>CD Ta\u00f1idos SRD-265. Several Records, 2002.<\/em><\/a>[\/vc_column_text][vc_single_image media=\u00bb1070″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb291089″][vc_column_text uncode_shortcode_id=\u00bb167505″]………………………………………<\/p>\n

\"\"OP.27\u00a0 ARCANO RITUAL<\/strong>\u00a0Percussion group (Madrid, 1995)<\/p>\n

Organic:<\/em> 8 or 12 players.\u00a012<\/em> Players<\/em>. 1<\/strong>: 5 Chinese blocks * 2<\/strong>: 5 Temple-Blocks * 3<\/strong>: 4 Tom-toms * 4<\/strong>: Bongos & tumbadoras * 5-8<\/strong>: Marimbas 1-4 * 9<\/strong>: Drums (full battery) * 10<\/strong>: 4 Kettle drums * 11<\/strong>: Medium & large bass drums * 12<\/strong>: 3 Tam-tams – 2 Cymbals – Bells ** 8 Players.<\/em> 1<\/strong>: 5 Temple-Blocks * 2<\/strong>: 4 Tom-toms * 3<\/strong>: Xylophon\u00a04<\/strong>: Marimba * 5<\/strong>: Drums (full battery) 6<\/strong>: 4 Timpani * 7<\/strong>: Medium & large bass drums * 8<\/strong>: 3 Tam-tams – 2 Cymbals – Tubular bells.<\/span>
\n Lasting time: <\/em>7\u2019 43\u2019\u2019
\n<\/strong>Commission: Grupo Tabir Percusi\u00f3n (Madrid)
\n<\/em>First perform.: Grupo Tabir Percusi\u00f3n – Cond.: Enric Llopis – Auditorio del <\/em>Centro Cultural Villa de Madrid – 24.3.1996
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

……………………………………….<\/p>\n

\"\"OP.31 M\u00c9DULAS<\/strong>\u00a0Percussion group from 6 to 12 players (Corcubi\u00f3n\/Denia, 15.7 – 31.8.1997)<\/p>\n

Organic:<\/em> 6 – 12 players (Obligatti<\/u> 1<\/strong>: Pandereta, Tam-Tam, Temple-Block * \u00a0 2<\/strong>: Pandero, Cymbal, Claves, Castanets * 3<\/strong>: Bongos & Tumbadoras, Rattles, Wood-Block * 4<\/strong>: Side-drum, Sistro, Reco-Reco * 5<\/strong>: Tom-Tom, Sleigh bells, Whip * 6<\/strong>: Bass drum, Kettle drums, Triangle, Maraca * Optional<\/u> 7<\/strong>: Xylophon * 8<\/strong>: Marimba * 9<\/strong>: Vibraphone * 10<\/strong>: Glockenspiel * 11<\/strong>: Pandero, Cymbal * 12<\/strong>: Tom-Tom, Rattles)
\n<\/strong>Lasting time: <\/em>10\u2019 36\u2019\u2019 – 15\u2019 20\u2019
\n<\/strong>Commission: Centro para la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea para la\u00a0<\/em>Revista Quodlibet
\n<\/em>Edition: Revista Quodlibet n\u00ba 9 (octubre 1997)<\/em><\/span><\/p>\n

……………………………………….<\/span><\/p>\n

\"\"OP.36b MUNCH-LIGHT\u00a0<\/strong>Piano quintet (Madrid, 2017)<\/p>\n

Lasting time: <\/em>10\u2019 34\u2019\u2019
\n<\/strong>First perform.: Cuarteto Diapente y Francisco Luis Santiago (p.) – XIX\u00a0\u00a0<\/em>Festival de M\u00fasica Contempor\u00e1nea de Madrid COMA\u201917 \u2013 Auditorio\u00a0<\/em>CentroCentro \u2013 Madrid – 26.11.2017<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1071″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb174218″][vc_column_text uncode_shortcode_id=\u00bb187352″]……………………………………..<\/span><\/p>\n

OP.38c SUITE<\/strong>\u00a0Chamber ensemble (Madrid, 2003) Interludes and paraphrases of La profesi\u00f3n<\/strong><\/p>\n

Organic:
\n<\/em>Original: fl., cl., vl., vc., p., guit., accord.
\nFive instruments: fl., cl., vl., vc., p.
\nSix instruments: fl., cl., sax., vl., vc., p.
\nSeven instruments: cl., vl. I, vl. II, vla., vc., cb., p.
\nFour instruments: vl. I, vl. II, vla., vc. (only no.3 Tango)\u00a0\u00a0<\/span>
\n Lasting time:<\/em> 12\u2019 45\u2019\u2019
\n<\/strong>First perform.: Grupo de M\u00fasica Contempor\u00e1nea del RCSMM – Cond.: S.
\n<\/em>Marin\u00e9 – Auditorio Manuel de Falla del RCSMM \u2013 Tribute concert\u00a0<\/em>to Ant\u00f3n Garc\u00eda Abril – 12.05.2003
\n<\/em>Recording: Radio Cl\u00e1sica de RNE – Grupo LIM
\n<\/em>CD Grupo Cosmos 21 <\/em>(No. 3, 4) \u201c25 Obras para el 25 aniversario\u201d<\/a><\/span><\/p>\n

(TANGO)[\/vc_column_text][vc_single_image media=\u00bb1073″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb153701″][vc_column_text uncode_shortcode_id=\u00bb191815″](<\/span>FREE JAZZ)[\/vc_column_text][vc_single_image media=\u00bb1074″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb206487″][vc_column_text uncode_shortcode_id=\u00bb885551″]……………………………………..<\/span><\/p>\n

\"\"OP.40 ENTRE LA PIEDRA Y LA FLOR\u00a0<\/strong>Chamber ensemble (Sombreu-Mi\u00f1o [Coru\u00f1a] – Madrid, 2005-2006)<\/p>\n

Organic: <\/em>fl., cl., vl., vc., p.<\/strong><\/span>
\n Lasting time:<\/em> 12\u2019 50\u2019\u2019
\n<\/strong>Commission: Grupo LIM\u00a0 (30th anniversary)
\n<\/em>First perform.: Grupo LIM \u2013 Cond.: Jes\u00fas Villa Rojo \u2013 Auditorio del <\/em>Centro Cultural Conde Duque (Madrid) \u2013 25.10.2006
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE \u2013 Grupo LIM<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span>
\n……………………………………….<\/p>\n

\"\"OP.48 SEMILLAS PARA UN HIMNO\u00a0<\/strong>(remembering \u00c1ngel Barja)\u00a0<\/strong>Chamber ensemble (London\/Thame [England] \u2013 Madrid, 2006-2007)<\/p>\n

Organic:<\/em> cl., sax. alto, vl., vc., p.<\/strong><\/span>
\nLasting time:<\/em> 11\u2019 40\u2019\u2019
\n<\/strong>Commission: Carlos Gal\u00e1n y Grupo Cosmos 21 (20th anniversary)<\/em><\/span>
\nFirst perform.: Grupo Cosmos 21 \u2013 Cond.: Carlos Gal\u00e1n – Iglesia de Santa Mar\u00eda de los \u00c1ngeles (San Vicente de la Barquera \u2013 Cantabria) \u2013 56. Festival Internacional de Santander \u2013 16.8.2007<\/span>
\nRecording: CD \u00abCompositores madrile\u00f1os del XXI\u00bb (2009)<\/span>
\nGrupo Cosmos 21 \u2013 Dir.: Carlos Gal\u00e1n<\/span>
\n<\/em>Spotify<\/a><\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1022″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb369206″][vc_column_text uncode_shortcode_id=\u00bb149246″]OP.51 \u00c1GUILAS DE METAL <\/strong>Brass quintet (Madrid, 2004; Sombreu \u2013 Mi\u00f1o, Madrid, 2013; revision: Madrid, 2015)<\/p>\n

Lasting time: <\/em>8\u2019 15\u2019\u2019
\n<\/strong>First perform.: Spanish Brass \u2013 XXVII Festival Internacional de M\u00fasica Contempor\u00e1nea COMA\u201925 \u2013 Sala de C\u00e1mara del Auditorio Nacional de M\u00fasica de Madrid – 12.11.205<\/em><\/span><\/p>\n

………………………………………<\/span><\/p>\n

7 CANCIONES POPULARES de M. de Falla\u00a0<\/strong>Transcription for instrumental ensemble (Madrid, 2011).<\/p>\n

Organic:<\/em> fl., cl., sax., vl., vc., p.<\/strong><\/span>
\n Lasting time:<\/em> 14\u2019 21\u2019\u2019
\n<\/strong>Commission:<\/em> Grupo Cosmos 21 como homenaje a Leopoldo Honta\u00f1\u00f3n.<\/span>
\n First perform.: Grupos Cosmos 21 \u2013 Cond.: Carlos Gal\u00e1n \u2013 Auditorio de <\/em>Tres Cantos – 29.10.2011
\n<\/em>Recording: Festival de Tres Cantos \u2013 CD <\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1077″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb608547″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb693385″]OP.53 RENDERINGS\u00a0<\/strong>Chamber ensemble (Madrid, october-december 2015)<\/p>\n

Organic:<\/em> cl., 2 vl., vla., vc., cb., p.<\/strong><\/span>
\n Lasting time:<\/em> 8\u2019 01\u2019\u2019
\n<\/strong>Commission: Luis Aguirre for the Sonor Ensemble
\n<\/em>First perform.: Sonor Ensemble \u2013 Cond.: Luis Aguirre \u2013 Auditorio 400 del <\/em>Museo Reina Sof\u00eda de Madrid \u2013 Temporada 2015-16 del CNDM <\/em>(Centro para la Difusi\u00f3n de la M\u00fasica), Series 20\/21 \u2013 11.04.2016.
\n<\/em>Recording: Radio Cl\u00e1sica de RNE <\/em>\u00a0\u00a0<\/span>[\/vc_column_text][vc_single_image media=\u00bb1078″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb434312″][vc_column_text uncode_shortcode_id=\u00bb154224″]………………………………………<\/span><\/p>\n

OP. 56 FRISO DE LOS VIENTOS<\/strong> Instrumental ensemble (Madrid, September-November 2017)<\/p>\n

Organic: <\/em>fl., cl., bass cl., bs., tpt., trb., p., vl., vc.<\/strong><\/span>
\nLasting time: <\/em>11\u2019 05\u2019\u2019<\/strong><\/span>
\nCommission: CNDM for Santiago Serrate and Grupo Modus Novus\u00a0<\/em>First perform.: Grupo Modus Novus \u2013 Dir.: Santiago Serrate \u2013 Auditorio\u00a0<\/em>400, Museo Reina Sof\u00eda de Madrid – Temporada 2017-18 CNDM\u00a0<\/em>(Centro para la Difusi\u00f3n de la M\u00fasica), Series 20\/21 \u2013 15.01.2018.<\/em><\/span><\/p>\n

………………………………………<\/span><\/p>\n

OP. 57 OLEADA<\/strong> Instrumental ensmble (Sombreu \u2013 Mi\u00f1o, 2018)
\nOrganic: fl., cl., vl., vc., p.<\/strong><\/em><\/span>
\nLasting time: 10\u2019 25\u2019\u2019
\nCommission: Juan Jos\u00e9 Olives y Grupo Enigma de Zaragoza<\/em><\/span>
\nFirst perf.: Grupo Enigma \u2013 Cond.: Juan Pablo Hell\u00edn \u2013 IX Festival de Ensembles \u2013 Madrid, Teatros del Canal, Sala Verde \u2013 7.10.2018<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1079″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb511113″][vc_column_text uncode_shortcode_id=\u00bb134348″]………………………………………<\/p>\n

MEMORIAS DE LA ILUSTRACI\u00d3N <\/strong>Transcription of Sonatas No. 87 and 42 by Antonio Soler for instrumental ensemble (Madrid, 2018)<\/p>\n

Organic: fl., cl., alto sax, vl. vc, p.
\n<\/strong>Lasting time: 6\u2019 16\u2019\u2019
\n<\/strong>First perform.: Grupo Cosmos 21 \u2013 Dir.: Carlos Gal\u00e1n \u2013 Concierto monogr\u00e1fico Enrique Igoa \u2013 Centro Cultural Nicol\u00e1s Salmer\u00f3n \u2013 Madrid \u2013 24.10.2018
\nEdition<\/a>
\n<\/em><\/span>[\/vc_column_text][vc_column_text uncode_shortcode_id=\u00bb168580″]………………………………………<\/p>\n

OP. 58 OFRENDA <\/strong>Instrumental ensmble (Madrid \/ Sombreu \u2013 Mi\u00f1o, 2020)<\/p>\n

Organic:<\/em> 2 vl., vla., vc., cb., p.<\/strong>
\n<\/strong>Lasting time:<\/em> 9\u2019 09\u2019\u2019<\/strong>
\n<\/strong>Commission: <\/em>Luis Aguirre for Sonor Ensemble
\n<\/em>First perf.: <\/em>Sonor Ensemble \u2013 Dir.: Luis Aguirre \u2013 Real Academia de Bellas <\/em>Artes de San Fernando (Madrid) \u2013 XXII Festival Internacional de <\/em>M\u00fasica Contempor\u00e1nea COMA 2020<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1029″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb833887″][vc_column_text uncode_shortcode_id=\u00bb973886″]……………………………………….<\/span><\/p>\n

OP.60 TRES VELAS (MUJERES DE SOROLLA) <\/strong>Instrumental ensemble (Madrid \/ Sombreu-Mi\u00f1o, 2022)
\nOrganic:<\/em> 2 vl., vla., vc., cb., p.
\n<\/strong>Lasting time:<\/em> 7\u2019 40\u2019\u2019
\n<\/strong>Commission:<\/em> Orquesta Nacional de Espa\u00f1a con destino al Ciclo Sat\u00e9lites de <\/em>la Temporada 2022-23
\n<\/em>First perf.: Sonor Ensemble \u2013 Dir.: Luis Aguirre \u2013 Ciclo Sat\u00e9lites 9 \u2013 <\/em>Auditorio Nacional de M\u00fasica \u2013 24.1.2023<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1019″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb206820″][vc_column_text uncode_shortcode_id=\u00bb159420″]……………………………………….<\/span><\/p>\n

LAINOA MENDIAN<\/strong> Instrumental ensemble (Mor\u00f3n de la Frontera [Sevilla], Denia [Alicante], Sombreu-Mi\u00f1o [Coru\u00f1a], 2021; revisi\u00f3n: 2025)
\nDedicated to my grandson Ignacio<\/p>\n

Lasting time: 5\u2019 02\u2019\u2019<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1144″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb974674″][vc_column_text uncode_shortcode_id=\u00bb316274″]…………………………………………………<\/p>\n

MEMORIAS DE LA ILUSTRACI\u00d3N<\/strong> Transcription of the Sonatas 87 y 42 from Antonio Soler for string Orchestra or string quintet (Madrid, 2021)
\nLasting time: 6\u2019 16\u2019
\nEdition<\/a>
\n<\/em><\/span><\/p>\n

…………………………………………………<\/p>\n

SOROEN ESNATZEA<\/strong> Instrumental ensemble (Madrid, 2023; revisi\u00f3n: 2025)
\nDedicated to my grandson \u00c1lvaro<\/em>
\nLasting time:<\/em> 4\u2019 05\u2019\u2019<\/strong><\/span>[\/vc_column_text][vc_single_image media=\u00bb1145″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb377238″][vc_column_text uncode_shortcode_id=\u00bb956371″]<\/p>\n

Solo Instrument and Chamber Ensemble<\/span><\/strong><\/h4>\n

\"\"OP.15\u00a0 PRAEMONITIO\u00a0\u00a0<\/strong>Flute and chamber ensemble\u00a0 (Madrid, 1984 * Rev.: 2005)<\/p>\n

Organic: <\/em>fl. solo, ob., cl., fg., p., perc., vl., vla.,.vc., cb.<\/strong><\/span>
\n Lasting time: <\/em>7\u2019 40\u2019\u2019
\n<\/strong>First perform.: Grupo C\u00edrculo de Madrid – Cond.: J.L. Temes – Sala de <\/em>C\u00e1mara del Auditorio Nacional de M\u00fasica de Madrid – 20.4.1994
\n<\/em>Recording: Radio Cl\u00e1sica de RNE<\/em><\/span><\/p>\n

OP.23c\u00a0 RAPSODIA CONCISA <\/strong>Violin and instrumental ensemble (Madrid, 2018)
\n\u00abTrailer\u00bb from Trans-egredi <\/em>op. 23a<\/p>\n

Organic:<\/em> solo vl., fl., cl., alto sax, vc., p.<\/strong><\/span>
\nLasting time:<\/em> 2\u2019 40\u2019\u2019
\n<\/strong>First perf.: Emilio S\u00e1nchez (vl.), Grupo Cosmos 21 \u2013 Cond.: Carlos Gal\u00e1n\u00a0<\/em>XXVII Festival Internacional de Primavera – M\u00fasica de los siglos <\/em>XX y XXI \u2013 Conservatorio Superior de Salamanca \u2013 23.3.2018<\/em><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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Lasting time: <\/em>11\u2019 30\u2019\u2019
\n<\/strong>First perform.: Tr\u00edo Arb\u00f3s (Miguel Borrego, violin; Jos\u00e9 Miguel G\u00f3mez, <\/em>violoncello; Juan Carlos Garvayo, piano) – Auditorio del Centro<\/em>\u00a0Cultural Conde Duque – I Festival de M\u00fasica COMA\u201999 de la AMCC <\/em>– 16.11.1999
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n