{"id":393,"date":"2017-10-17T14:27:59","date_gmt":"2017-10-17T14:27:59","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=393"},"modified":"2026-01-07T15:37:21","modified_gmt":"2026-01-07T15:37:21","slug":"obras-para-instrumento-a-solo","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/obras-para-instrumento-a-solo\/","title":{"rendered":"Works for solo instrument"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb187841″][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ uncode_shortcode_id=\u00bb879426″][vc_column_text uncode_shortcode_id=\u00bb183185″]<\/p>\n

Imagen: partitura OP.22a\u00a0ESTUDIO VI<\/em><\/p>\n

 <\/p>\n

<\/div>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb132455″]<\/p>\n

Piano<\/span><\/h4>\n

OP.1\u00a0\u00a0 ESTUDIO I <\/strong>\u00a0\u00a0Piano\u00a0 (Madrid, 1976; Revision: 2023 – 24)<\/p>\n

Lasting time: 5<\/strong>\u2019 42\u2019\u2019
\n<\/strong>First performance: E. Igoa – Sal\u00f3n de Actos de las Hermandades del Trabajo de \u00a0Madrid – 23.10.1976<\/em><\/span><\/p>\n

………………………………………….<\/span><\/p>\n

OP.3\u00a0 TRES INVENCIONES<\/strong>\u00a0 Piano\u00a0 (Madrid, 1979; Revision: 2024)<\/p>\n

Lasting time: 3\u2019 40\u2019\u2019
\n<\/strong>Edition<\/a>
\n<\/strong><\/em><\/span><\/p>\n

………………………………………….<\/span><\/p>\n

OP.5\u00a0\u00a0 ESTUDIO II\u00a0 <\/strong>Piano\u00a0 (Madrid, 1980)<\/p>\n

Lasting time: <\/em>6\u2019 21\u2019\u2019
\n<\/strong>First performance: F. Pariente \u2013 Real Conservatorio Superior de M\u00fasica de Madrid \u2013<\/em><\/span>10.2.1992<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1995)
\n<\/em><\/a>Recording: CD \u201cDifferent Perceptions\u201d- Rub\u00e9n Yessay\u00e1n\u00a0 (2006)<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1081″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb202766″][vc_single_image media=\u00bb1082″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb786671″][vc_column_text uncode_shortcode_id=\u00bb118215″]…………………………………………<\/p>\n

OP.11\u00a0 LA VOZ DE<\/strong> UN PIANO<\/strong> (In memoriam Rosa Sabater)<\/strong> Piano (Madrid, 1983)<\/p>\n

Lasting time: <\/em>3\u2019 30\u2019\u2019
\n<\/strong>First perform.: Adela Gonz\u00e1lez Campa – Radio 2 de RNE – 28.1.1984
\n<\/em>Recording: Radio Cl\u00e1sica de RNE<\/em><\/span><\/p>\n

……………………………………..<\/strong><\/span><\/p>\n

OP.17\u00a0 ESTUDIO IV\u00a0<\/strong>Four-hand piano (Le\u00f3n, 1986)<\/p>\n

Lasting time. <\/em>6\u2019 42\u2019\u2019
\n<\/strong><\/span>First perform.: Elena Garc\u00eda, Isidro Tejedor – Conserv. de Le\u00f3n – 15.5.1986<\/span>
\nEdition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2001)<\/a><\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1150″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb733859″][vc_column_text uncode_shortcode_id=\u00bb131230″]……………………………………..<\/strong><\/p>\n

CUADERNO DE CAMPO<\/strong> Piano (Madrid \u2013 Bari, 2009). Commission of Fundaci\u00f3n M\u00fasica Abierta bound for children with right hemiparesis.<\/p>\n

Lasting time: 19\u2019 40\u2019\u2019<\/strong><\/em><\/span>
\nPartial first performances:<\/em><\/span>
\n\u201cDanza\u201d, work selected for the Festive Piano Composition Contest in Dallas, Texas (USA), 2018<\/em><\/span>
\nFirst perform.: Dallas, Texas, 22.12.2019 – Pianist: Felicity Mazur-Park<\/em><\/span>
\n\u201cLlueve en silencio\u201d. Presentation of the yearly program of Grupo Cosmos 21 \u2013 Carlos Gal\u00e1n (p.) \u2013 Madrid, Sala Manuel de Falla de la SGAE, 5.10.2021<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1083″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb181293″][vc_column_text uncode_shortcode_id=\u00bb438201″]……………………………………<\/span><\/p>\n

DAMUNT DE T\u00da NOM\u00c9S LES FLORS de F. Mompou\u00a0<\/strong>Transcription for solo piano (Madrid, 2013)<\/p>\n

Commission:<\/em> Luis Fernando P\u00e9rez Herrero<\/span>
\n Lasting time: <\/em>4\u2019 41\u2019\u2019
\n<\/strong>First perform.: Luis Fernando P\u00e9rez – Temporada de la Sociedad <\/em>Filarm\u00f3nica Palau de la M\u00fasica \u2013 Valencia\u00a0 31.3.2015<\/em><\/span><\/p>\n

……………………………………..<\/span><\/p>\n

SONATA DE JUVENTUD <\/strong>Piano (Madrid, 2008; revision of the Balada No. 1 <\/em>of 1972)<\/p>\n

Lasting time: 9\u2019 12\u2019\u2019
\n<\/strong>Edition<\/a><\/em><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb111550″]<\/p>\n

Guitar<\/span><\/h4>\n

OP.29\u00a0 ESTUDIO VII \u201cREGRESO A JAN MAYEN\u201d<\/strong>\u00a0 Guitar (Madrid, 1996)
\n1\u00ba Prize <\/strong>in X Composition Competition of Classic Guitar <\/em>(La Herradura – Granada \u2013 January, 1997)<\/em><\/p>\n

Lasting time: <\/em>10\u2019 45\u2019\u2019
\n<\/strong><\/span>First perform.: Pablo de la Cruz – Auditorio del Conde Duque – 24.11.1997<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1997)
\n<\/span><\/em><\/a>Recording: Radio Cl\u00e1sica de RNE<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1087″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb146123″][vc_column_text uncode_shortcode_id=\u00bb296456″]…………………………………….<\/p>\n

OP.41 NOCTURNO DE VILA-REAL <\/strong>Guitar (Madrid, 2002)<\/p>\n

Lasting time: <\/em>5\u2019 30\u2019\u2019
\n<\/strong>Commission: Avelina Vidal
\n<\/em>First perform.: Avelina Vidal – Conservatorio Profesional Teresa Berganza <\/em>de Madrid – 19.11.2002<\/em><\/span><\/p>\n

OP.59 SILENTIUM <\/strong> Guitar (Madrid, 2021)
\nLasting time: <\/em><\/span>5\u201924\u2019\u2019
\n<\/strong>Commission: Enrique Mu\u00f1oz for a concert-tribute to Jos\u00e9 Luis Rodrigo and Manuel Est\u00e9vez, deceased guitar professors.<\/em><\/span>
\n<\/em>First perform: Tribute to Jos\u00e9 Luis Rodrigo and Manuel Est\u00e9vez<\/span>\u2013 Auditorio <\/em>Manuel de Falla del Real Conservatorio Superior de M\u00fasica de\u00a0 <\/em>Madrid \u2013 Pedro Jes\u00fas G\u00f3mez (guit.) \u2013 12.3.2022.
\n<\/em>Edition:<\/em> Revista Roseta n.\u00ba 16 (2021-22). Revista de la Sociedad Espa\u00f1ola<\/em>\u00a0de la guitarra, pp. 190-196.<\/em><\/span><\/a><\/p>\n

Others Instruments<\/span><\/h4>\n

OP.4 FOMALHAUT<\/strong> Organ (Madrid, 1980)
\nLasting time:<\/em> 12\u2019 07\u2019\u2019<\/strong>
\nFirst perf.:<\/em> Enrique Igoa (\u00f3rgano) \u2013 Madrid, Iglesia del Cristo de la Victoria \u2013 30.3.1980
\nEdition<\/a><\/em>[\/vc_column_text][vc_single_image media=\u00bb1088″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb210668″][vc_column_text uncode_shortcode_id=\u00bb131716″]…………………………………..<\/p>\n

OP.8a IN PARADISUM<\/strong>\u00a0 6-voice choir with organ ad lib. (Boston, 1981)
\nFinalist in I Composition Competition Krom\u00e1tika 2015 (Spain)
\nLasting time:<\/em> 5\u2019 10\u2019\u2019
\n<\/strong>Edition:<\/em> Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2020)<\/em><\/a>
\n<\/strong><\/span><\/p>\n

……………………………………..<\/strong><\/span><\/p>\n

\"\"OP.14\u00a0 ESTUDIO III \u201cASCENSI\u00d3N\u201d\u00a0 <\/strong>Organ\u00a0 (Madrid, 1984)
\n1\u00ba Prize <\/strong>in 3rd Composition Competition of Festival de Musique Sacr\u00e9e de Fribourg (Switzerland)<\/p>\n

Lasting time: <\/em>8\u2019 40\u2019\u2019
\n<\/strong>First perform.: Werner Jacob – Catedral de St. Nicholas de Fribourg \u2013 <\/em>8.7.1990 – III Festival de Musique Sacr\u00e9e de Fribourg (Switzerland)
\n<\/em>First perform in Spain: Presentaci\u00f3n R\u00edos – Academia de Bellas Artes <\/em>de San Fernando – II Festival de M\u00fasica COMA\u201900 de la AMCC \u2013 <\/em>16.12.2000
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2020)<\/a><\/span>
\n<\/em><\/span>Recording: Bayerische Rundfunk N\u00fcrnberg * Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

……………………………………..<\/strong><\/p>\n

\"\"OP.20\u00a0 ESTUDIO V \u201cDENSIDADES\u201d\u00a0<\/strong>Accordion\u00a0 (Madrid, 1989)<\/p>\n

Lasting time: <\/em>2\u2019 30\u2019\u2019
\n<\/strong>First perform.: Mirem Yosune Ochotorena – R.C.S.M.M. – 21.5.1992
\n<\/em><\/p>\n

Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1999)<\/a><\/span><\/em><\/p>\n

Recording: TVE<\/em>[\/vc_column_text][vc_single_image media=\u00bb1085″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb178474″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb958720″]\"\"OP.22a ESTUDIO VI \u201cSECUENCIAS\u201d<\/strong>
\nHarmonica\u00a0 (Madrid, 1992)<\/p>\n

Lasting time: <\/span><\/em>8\u2019 40\u2019\u2019
\n<\/strong>Commission: Antonio Serrano
\n<\/em>First perform.: Antonio Serrano – Jard\u00edn Bot\u00e1nico de la Casa de la Cultura <\/em>de Francia en Bruselas (B\u00e9lgica) – 3.6.1992
\n<\/em>First perform. in Spain: Antonio Serrano – Real Conservatorio Superior <\/em>de M\u00fasica de Madrid – 24.5.1993
\n<\/em>Recording: Radio Cl\u00e1sica de RNE
\nEdition<\/a>
\n<\/em><\/span><\/span>[\/vc_column_text][vc_single_image media=\u00bb1091″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb202387″][vc_column_text uncode_shortcode_id=\u00bb675927″]…………………………………….<\/span><\/p>\n

\"\"OP.22c ESTUDIO VI \u201cSECUENCIAS\u201d
\n<\/strong>Accordion (Madrid, 1996)<\/p>\n

Lasting time: <\/em>8\u2019 44\u2019\u2019
\n<\/strong>First perform.: \u00c1ngel Luis Casta\u00f1o – Teatro Pradillo, Madrid – 14.4.1997<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1999)<\/a>
\n<\/em>Recording: CD Spanish Music for Solo Accordion (Vol.2)<\/em><\/a>
\n<\/span>Soundcloud<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1090″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb207253″][vc_column_text uncode_shortcode_id=\u00bb826665″]…………………………………..<\/p>\n

OP.23b CADENZA<\/strong> Viol\u00edn solo (Madrid, 2015)
\nDigressio de Trans-egredi op. 23a<\/p>\n

Lasting time: 2\u2019 30\u2019\u2019<\/strong><\/em><\/span>
\nFirst perform.: Manuel Guill\u00e9n (vl.) \u2013 Concierto de estrenos para viol\u00edn solo \u2013 Auditorio Manuel de Falla \u2013 Real Conservatorio Superior de M\u00fasica de Madrid \u2013 23.10.2025<\/em><\/span><\/p>\n

……………………………………..<\/p>\n

OP.43 MON\u00d3LOGO\u00a0<\/strong>Harp (Madrid, 2004)<\/p>\n

Lasting time: <\/em>7\u2019 20\u2019\u2019
\n<\/strong>Commission: Mar\u00eda Rosa Calvo Manzano
\n<\/em>First perform.: Mar\u00eda Rosa Calvo-Manzano \u2013 Auditorio del Centro Cultural <\/em>Conde Duque (Madrid) \u2013 21.1.2008<\/em><\/span><\/p>\n

\u00a0……………………………………..<\/span><\/p>\n

OP.47 INVOCATIONES TEMPORE BELLI\u00a0<\/strong>Organ (Madrid, 2004)
\nHonorable mention<\/strong> of Concours de Composition pour Orgue de la Ville de Nice 2005 (France)<\/p>\n

Lasting time: <\/em>9\u2019 42\u2019\u2019
\n<\/strong><\/span>First perform<\/em><\/span>: Ra\u00fal del Toro \u2013 Iglesia de Santa Mar\u00eda la Antigua \u2013 <\/em>Vic\u00e1lvaro (Madrid) \u2013 Festival de \u00d3rgano de Vic\u00e1lvaro
\nEdition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2020)<\/a><\/span><\/em><\/p>\n

……………………………………..<\/span><\/p>\n

OP.52 TRAZOS\u00a0<\/strong>Violin solo (Madrid, september 2014)<\/p>\n

Lasting time: <\/em>2\u2019 03\u2019\u2019
\n<\/strong>Commission: AMCC for a pedagogical album<\/em><\/span><\/p>\n

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