{"id":464,"date":"2017-10-23T10:40:47","date_gmt":"2017-10-23T10:40:47","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=464"},"modified":"2026-01-07T16:36:08","modified_gmt":"2026-01-07T16:36:08","slug":"cronologico-de-obras","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/cronologico-de-obras\/","title":{"rendered":"Chronological work catalogue"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb187841″][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ uncode_shortcode_id=\u00bb879426″][vc_column_text uncode_shortcode_id=\u00bb130875″]<\/p>\n

Image: partiture OP.39 VOCES DE PIEDRA<\/em><\/p>\n

 <\/p>\n

<\/div>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb564213″]OP.1\u00a0\u00a0 ESTUDIO I <\/strong>\u00a0\u00a0Piano\u00a0 (Madrid, 1976; Revision: 2023-24)<\/p>\n

Lasting time: <\/em>5\u2019 42\u2019\u2019
\n<\/strong>First perform.: E. Igoa – Sal\u00f3n de Actos de las Hermandades del\u00a0<\/em>Trabajo de \u00a0\u00a0\u00a0\u00a0 Madrid – 23.10.1976<\/em><\/span><\/p>\n

OP.2a PRELUDIO Y FUGA<\/strong>\u00a0Chamber ensemble\u00a0 (Madrid, 1978)<\/p>\n

First perform.: Students from Real Conservatorio Superior de M\u00fasica de <\/em>Madrid \u2013 Cond.: Luis Aguirre – 24.5.1979\u00a0 <\/em>\u00a0<\/strong><\/span><\/p>\n

PRELUDIO, BALADA Y FUGA\u00a0<\/strong>Big-Band with several organic\u00a0(Versions: 1988, 1995, 2001)<\/p>\n

Organic: <\/em>2 alto sax., 2 ten. sax., bar. sax., 4 tpt., 3 trb., guitar, piano, double bass and drums<\/span>
\nLasting time: <\/em>10\u2019 28\u2019\u2019<\/strong><\/span><\/p>\n

OP.2b BALLAD OF READING GAOL\u00a0<\/strong>Jazz sextet (Revision from Balada<\/em>: 2005)<\/p>\n

Organic: <\/em>tenor sax., trb., guitar, piano, bass, drums
\nLasting time: <\/em><\/span>4\u2019 43\u2019\u2019<\/span>
\n<\/strong>Soundcloud<\/em><\/span><\/a><\/p>\n

OP.3\u00a0 TRES<\/strong> INVENCIONES<\/strong>\u00a0 Piano\u00a0 (Madrid, 1979; Revision: 2024)<\/p>\n

Lasting time: 3\u2019 40\u2019\u2019<\/strong><\/span><\/em><\/p>\n

OP.4 FOMALHAUT<\/strong> Organ (Madrid, 1980)<\/p>\n

Lasting time: 12\u2019 07\u2019\u2019<\/strong><\/span><\/em>
\nFirst perf.: Enrique Igoa (\u00f3rgano) \u2013 Madrid, Iglesia del Cristo de la Victoria \u2013 30.3.1980
\nEdition<\/a>
\n<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1098″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb964068″][vc_column_text uncode_shortcode_id=\u00bb206803″]OP.5\u00a0\u00a0 ESTUDIO II\u00a0 <\/strong>Piano\u00a0 (Madrid, 1980)<\/p>\n

Lasting time: <\/em>6\u2019 21\u2019\u2019
\n<\/strong>First performance: F. Pariente \u2013 Real Conservatorio Superior de M\u00fasica de Madrid \u2013<\/em><\/span>10.2.1992<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1995)
\n<\/em><\/a>Recording: CD \u201cDifferent Perceptions\u201d- Rub\u00e9n Yessay\u00e1n\u00a0 (2006)<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1100″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb699814″][vc_column_text uncode_shortcode_id=\u00bb132133″]OP.6\u00a0\u00a0 MISSA BREVIS\u00a0<\/strong>Mixed choir and organ \u00a0\u00a0(Boston, 1981)<\/p>\n

Lasting time: <\/em>3\u2019 50\u2019\u2019
\n<\/strong>First perform.: Coro de Alumnas del Colegio de las Hermanas de la <\/em>Cruz de Aldaya (Valencia) – Cond.: Elena Igoa Mateos – 3.6.1994
\n<\/em>First perform. (polyphonic version): Coro Stella splendens y Coro de la <\/em>Catedral de la Almudena (Madrid) – Catedral de la Almudena \u2013 <\/em><\/span>Organ: Enrique Igoa – Cond.: F\u00e9lix Castedo – 25.5.2002<\/span>
\n<\/em>Edition: <\/em>IMSLP
\n<\/a>Edition: CPDL (ChoralWiki)<\/a>
\n<\/em><\/span><\/span>Recording: Coro Stella splendens and Coro Columbae \u2013 \u00d3rgano: <\/em>Presentaci\u00f3n R\u00edos \u2013 Cond.: Asunci\u00f3n Paniagua y Enrique Igoa<\/em><\/p>\n

OP.7\u00a0\u00a0 RECUERDOS DE MONTA\u00d1A<\/strong>\u00a0Symphonic orchestra\u00a0 (Madrid, 1981)<\/p>\n

Organic:<\/em> 3 3 3 3 \u2013 2 2 1 0 \u2013 Perc. (3) \u2013 Pno. \u2013 12 10 8 6 4<\/span>
\nLasting time: <\/em>9\u2019 28\u2019\u2019<\/strong><\/span><\/p>\n

OP.8a IN PARADISUM<\/strong>\u00a06-voice choir with organ ad lib. (Boston, 1981)
\nFinalist <\/strong>in I Composition Competition Krom\u00e1tika 2015 (Spain<\/p>\n

Lasting time: <\/em><\/span>5\u2019 10\u2019\u2019<\/span>
\n<\/strong>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2020)<\/em><\/a><\/span><\/span>
\n<\/strong><\/p>\n

OP.8b IN PARADISUM<\/strong>\u00a0\u00a0 Organ (Boston, 1981)<\/p>\n

Lasting time: <\/em>5\u2019 10\u2019\u2019<\/strong><\/span><\/p>\n

OP.9\u00a0\u00a0 MISSA DE ANGELIS<\/strong>\u00a0Choir and orchestra or choir and organ\u00a0 (Madrid, 1982)<\/p>\n

Organic: <\/em>choir and orchestra [3 3 3 3 \u2013 4 3 3 1 \u2013 Perc. (4) \u2013 Pno. \u201312 10 8 6 4] or choir and organ
\nLasting time: <\/span><\/em>21\u2019 30\u2019<\/strong><\/span><\/p>\n

OP.10\u00a0 ADAGIO\u00a0<\/strong>String orchestra or string septet\u00a0 (Madrid, 1983)<\/p>\n

Lasting time: <\/em><\/span>6\u2019 40\u2019\u2019<\/span>
\n<\/strong>First perform.: Orquesta Nacional do Porto – Cond.: Manuel Ivo Cruz \u2013 <\/em>Teatro Principal \u2013 XIV Festival Internacional de M\u00fasica <\/em><\/span><\/span><\/span>Contempor\u00e1nea de Alicante – 24.9.1998<\/span>
\n<\/em><\/span>Edition: Editorial Alpuerto (1999)<\/span><\/a>
\n<\/span><\/a><\/em>Recording: Radio Cl\u00e1sica de RNE y TVE<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1105″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb510789″][vc_column_text uncode_shortcode_id=\u00bb190185″]OP.11\u00a0 LA VOZ DE<\/strong> UN PIANO<\/strong> (In memoriam Rosa Sabater)<\/strong> Piano (Madrid, 1983)<\/p>\n

Lasting time: <\/em>3\u2019 30\u2019\u2019
\n<\/strong>First perform.: Adela Gonz\u00e1lez Campa – Radio 2 de RNE – 28.1.1984
\n<\/em>Recording: Radio Cl\u00e1sica de RNE<\/em><\/span><\/p>\n

OP.12\u00a0 CANCIONES NORTE\u00d1AS\u00a0 <\/strong>Alto or mezzosoprano and piano\u00a0 (Madrid, 1983)<\/p>\n

OP.13\u00a0 VOCALISE\u00a0 <\/strong>Mezzosoprano and piano\u00a0 (Madrid, 1983)<\/p>\n

Lasting time: <\/em>2\u2019 15\u2019\u2019
\n<\/strong>First perform.: Soraya Chaves (mezzo), E. (p.) \u2013 R.C.S.M.M. – 21.5.1992<\/em><\/span><\/p>\n

OP.14\u00a0 ESTUDIO III \u201cASCENSI\u00d3N\u201d\u00a0 <\/strong>\u00a0Organ (Madrid, 1984)
\n1\u00ba Prize <\/strong>in 3rd Composition Competition of Festival de Musique Sacr\u00e9e de Fribourg (Switzerland)<\/p>\n

Lasting time: <\/em>8\u2019 40\u2019\u2019
\n<\/strong>First perform.: Werner Jacob – Catedral de St. Nicholas de Fribourg \u2013<\/em>8.7.1990 – III Festival de Musique Sacr\u00e9e de Fribourg (Switzerland)
\n<\/em>First perform. in Spain: Presentaci\u00f3n R\u00edos – Academia de Bellas Artes <\/em>de San Fernando – II Festival de M\u00fasica COMA\u201900 de la AMCC \u2013 <\/em>16.12.2000
\n<\/em>Edition: EMEC (Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea)
\n<\/em><\/span>Recording: Bayerische Rundfunk N\u00fcrnberg * Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a>
\nEdition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2020)<\/em><\/a><\/span>
\n<\/span><\/p>\n

OP.15\u00a0 PRAEMONITIO\u00a0\u00a0<\/strong>Flute and chamber ensemble\u00a0 (Madrid, 1984 * Rev.: 2005)<\/p>\n

Organic: <\/em>fl. solo, ob., cl., fg., p., perc., vl., vla.,.vc., cb.<\/span>
\nLasting time: <\/em>7\u2019 40\u2019\u2019
\n<\/strong>First perform.: Grupo C\u00edrculo de Madrid – Cond.: J.L. Temes – Sala de <\/em>C\u00e1mara del Auditorio Nacional de M\u00fasica de Madrid – 20.4.1994
\n<\/em>Recording: Radio Cl\u00e1sica de RNE <\/em><\/span><\/p>\n

OP.16a DI\u00c1LOGOS\u00a0<\/strong>Flute and guitar\u00a0 (Le\u00f3n, 1985)<\/p>\n

Lasting time: <\/em>6\u2019 10\u2019\u2019
\n<\/strong>Commission: D\u00fao Versus (Le\u00f3n)
\n<\/em>First perform.: Juan Carlos Asensio (fl.), Avelina Vidal (guit.) – Ateneo de <\/em>Madrid – 9.2.1990
\n<\/em>Edition: Editorial de M\u00fasica Moderna (1992). Distribution: E. Igoa<\/i><\/em><\/span><\/p>\n

OP.16b DI\u00c1LOGOS\u00a0<\/strong>Sextet or accordion orchestra\u00a0 (Madrid, 1988)<\/p>\n

Lasting time: <\/em>5\u2019 54\u2019\u2019
\n<\/strong>Commission: Concurso \u201cReina Sof\u00eda\u201d de Acorde\u00f3n
\n<\/em>First perform.: Sexteto Volpi – Teatro Consulado (Madrid) – 16.12.1989
\n<\/em>Edition: Ediciones Maravillas. Col. Damiani Autores Espa\u00f1oles (1988)
\n<\/em><\/span>Recording: Orquesta de C\u00e1mara \u201cClaroscuros\u201d. Cond.: \u00c1ngel Huidobro.<\/span>
\n<\/em>CD Ta\u00f1idos SRD-265. Several Records, 2002.<\/em><\/a>
\n<\/a><\/span><\/em>Spotify<\/a><\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1106″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb773284″][vc_column_text uncode_shortcode_id=\u00bb280122″]OP.17\u00a0 ESTUDIO IV\u00a0<\/strong>Four-hand piano (Le\u00f3n, 1986)<\/p>\n

Lasting time. <\/em>6\u2019 42\u2019\u2019
\n<\/strong><\/span>First perform.: Elena Garc\u00eda, Isidro Tejedor – Conserv. de Le\u00f3n – 15.5.1986<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2001)<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1150″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb733859″][vc_column_text uncode_shortcode_id=\u00bb104842″]OP.18\u00a0 DOS CANCIONES <\/strong>Sopran and piano\u00a0 (Madrid, 1986)<\/p>\n

Lasting time: <\/em>4\u2019 30\u2019\u2019
\n<\/strong>First perform.: Mercedes Mart\u00ednez y Luis Ricoy – R.C.S.M.M. – 30.3.1992
\n<\/em>Edition: Editorial de M\u00fasica Moderna (1992). Distribution: E. Igoa<\/i><\/span><\/p>\n

OP.19\u00a0 SUITE AL ESTILO BARROCO\u00a0<\/strong>Recorder and harpsichord * Traverse flute and piano or accordion\u00a0 (Madrid, 1987)<\/p>\n

Lasting time. <\/em>12\u2019 50\u2019\u2019
\n<\/strong>First perform.: F\u00e9lix Conde (fl.), Fernando Campillo (p.) – Centro Cultural <\/em><\/span>Villa de Madrid – 31.3.1993<\/span>
\n<\/em>Edition: Editorial Alpuerto (1998)<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1107″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb197829″][vc_column_text uncode_shortcode_id=\u00bb159684″]OP.20\u00a0 ESTUDIO V \u201cDENSIDADES\u201d\u00a0<\/strong>Accordion\u00a0 (Madrid, 1989)<\/p>\n

Lasting time: <\/em>2\u2019 30\u2019\u2019
\n<\/strong><\/span>First perform.: Mirem Yosune Ochotorena – R.C.S.M.M. – 21.5.19<\/span>92
\n<\/em><\/p>\n

Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1999)<\/a><\/span><\/em><\/p>\n

Recording: TVE<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1108″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb858235″][vc_column_text uncode_shortcode_id=\u00bb184268″]OP.21 SONOR TEMPORIS\u00a0<\/strong>Symphonic orchestra (Madrid, 1991-93; revision 2005)<\/p>\n

Organic:<\/em> 3 3 3 3 \u2013 4 3 3 1 \u2013 Perc. (4) \u2013 Pno. \u2013 16 14 12 10 8<\/span>
\nLasting time: <\/em>14\u2019 56\u2019\u2019<\/strong><\/span><\/p>\n

OP.22a ESTUDIO VI \u201cSECUENCIAS\u201d<\/strong>\u00a0Harmonica\u00a0 (Madrid, 1992)<\/p>\n

Lasting time: <\/em>8\u2019 40\u2019\u2019
\n<\/strong>Commission: Antonio Serrano
\n<\/em>First perform.: Antonio Serrano – Jard\u00edn Bot\u00e1nico de la Casa de la Cultura <\/em>de Francia en Bruselas (B\u00e9lgica) – 3.6.1992
\n<\/em>First perform. in Spain: Antonio Serrano – Real Conservatorio Superior <\/em>de M\u00fasica de Madrid – 24.5.1993
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\nEdition<\/a><\/span><\/span>
\n<\/em>[\/vc_column_text][vc_single_image media=\u00bb1109″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb186335″][vc_column_text uncode_shortcode_id=\u00bb131264″]OP.22b ESTUDIO VI \u201cSECUENCIAS\u201d<\/strong>\u00a0Violin and marimba\u00a0 (Madrid, 1995)
\n1\u00ba Prize <\/strong>in Marimolin 8th Annual Composition Contest of Princeton, New Jersey (United States)<\/p>\n

Lasting time: <\/em>8\u2019 52\u2019\u2019
\n<\/strong>First perform.: Duo Marimolin \u2013 Columbia Univ., New York – 26.10.1995
\n<\/em>Edition: HoneyRock Publishing (1997)
\n<\/em>Recording: WNYC (New York)<\/em><\/span><\/p>\n

OP.22c ESTUDIO VI \u201cSECUENCIAS\u201d <\/strong>Accordion (Madrid, 1996)<\/p>\n

Lasting time: <\/em>8\u2019 44\u2019\u2019
\n<\/strong><\/span>First perform.: \u00c1ngel Luis Casta\u00f1o – Teatro Pradillo, Madrid – 14.4.1997<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1999)<\/a><\/em>
\nRecording: CD Spanish Music for Solo Accordion (Vol.2) \u00a0<\/a><\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1101″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb149777″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb477387″]OP.23a\u00a0 TRANS-EGREDI (RAPSODIA)\u00a0<\/strong>Violin and orchestra\u00a0 (Madrid, 1992-94)<\/p>\n

Organic:<\/em> 3 3 3 3 \u2013 4 3 3 1 \u2013 Perc. (3) \u2013 Pno. – Vl. solista \u2013 12 10 8 6 4<\/span>
\nLasting time:<\/em> 16\u2019 10\u2019\u2019<\/strong><\/span><\/p>\n

OP.23b CADENZA<\/strong> Viol\u00edn solo (Madrid, 2015)
\nDigressio de Trans-egredi op. 23a
\nLasting time: 2\u2019 30\u2019\u2019
\n<\/em><\/span>First perform.:<\/span> Manuel Guill\u00e9n (vl.) \u2013 Concierto de estrenos para viol\u00edn solo \u2013 Auditorio Manuel de Falla \u2013 Real Conservatorio Superior de M\u00fasica de Madrid \u2013 23.10.2025<\/em><\/p>\n

OP.23c\u00a0 RAPSODIA CONCISA <\/strong>Violin and instrumental ensemble (Madrid, 2018)
\n\u00abTrailer\u00bb from Trans-egredi <\/em>op. 23a<\/p>\n

Organic:<\/em> solo vl., fl., cl., alto sax, vc., p.<\/span>
\nLasting time:<\/em> 2\u2019 40\u2019\u2019
\n<\/strong>First perf.: Emilio S\u00e1nchez (vl.), Grupo Cosmos 21 \u2013 Cond.: Carlos Gal\u00e1n\u00a0<\/em>XXVII Festival Internacional de Primavera – M\u00fasica de los siglos <\/em>XX y XXI \u2013 Conservatorio Superior de Salamanca \u2013 23.3.2018 <\/em><\/span><\/p>\n

OP.24\u00a0 ANT\u00cdFONA DE ADVIENTO\u00a0<\/strong>Mixed choir (Madrid, 1994)
\n2nd Prize <\/strong>in International Composer\u2019s Competition \u201cJihlava 1998\u201d\u00a0<\/em>(Czech Republic).<\/em><\/p>\n

Lasting time: <\/em>3\u2019 30\u2019\u2019 \u2013 3\u2019 50\u2019\u2019
\n<\/strong>Commission: Coro San Jorge (Madrid)
\n<\/em>First perform.: Bath Camerata – Cond.: Nigel Perrin – Culture House in\u00a0<\/em>Jihlava (Czech Republic) – 41 Festival of Choral Music – 27.6.1998
\n<\/em>Edition: FSU – IPOS ARTAMA (Jihlava\/Praha, Rep\u00fablica Checa).
\n<\/em><\/span>Recording: Radio Checa en Jihlava<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1111″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb875902″][vc_column_text uncode_shortcode_id=\u00bb596889″]OP.25\u00a0 LOGOS ONEIRON\u00a0 <\/strong>Sopran or actress, piano & electronics\u00a0 (Madrid, 1995-97)<\/p>\n

Lasting time: <\/em>15\u2019 28\u2019\u2019
\n<\/strong>First perform.: Bel\u00e9n Guti\u00e9rrez (actress), Gonzalo Manzanares (piano) \u2013 <\/em>Auditorio del Museo Nacional de Arte Contempor\u00e1neo Reina Sof\u00eda \u2013 <\/em>IV Jornadas de Inform\u00e1tica y Electr\u00f3nica Musical – 31.7.1997
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE\/\/LIEM-CDMC<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.26\u00a0 ANATEXIA\u00a0<\/strong>Viol\u00edn, violoncello y piano (Madrid, 1995)<\/p>\n

Lasting time: <\/em>11\u2019 30\u2019\u2019
\n<\/strong>First perform.: Tr\u00edo Arb\u00f3s (Miguel Borrego, violin; Jos\u00e9 Miguel G\u00f3mez, <\/em>violoncello; Juan Carlos Garvayo, piano) – Auditorio del Centro <\/em>Cultural Conde Duque – I Festival de M\u00fasica COMA\u201999 de la AMCC <\/em>\u00a0– 16.11.1999
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.27\u00a0 ARCANO RITUAL<\/strong>\u00a0Percussion group (Madrid, 1995)<\/p>\n

Organic:<\/em> 8 or 12 players.\u00a012<\/em> Players<\/em>. 1<\/strong>: 5 Chinese blocks * 2<\/strong>: 5 Temple-Blocks * 3<\/strong>: 4 Tom-toms * 4<\/strong>: Bongos & tumbadoras * 5-8<\/strong>: Marimbas 1-4 * 9<\/strong>: Drums (full battery) * 10<\/strong>: 4 Kettle drums * 11<\/strong>: Medium & large bass drums * 12<\/strong>: 3 Tam-tams – 2 Cymbals – Bells.\u00a08 Players.<\/em> 1<\/strong>: 5 Temple-Blocks * 2<\/strong>: 4 Tom-toms * 3<\/strong>: Xylophon 4<\/strong>: Marimba * 5<\/strong>: Drums (full battery) 6<\/strong>: 4 Timpani * 7<\/strong>: Medium & large bass drums * 8<\/strong>: 3 Tam-tams – 2 Cymbals – Tubular bells.<\/span>
\nLasting time: <\/em>7\u2019 43\u2019\u2019
\n<\/strong>Commission: Grupo Tabir Percusi\u00f3n (Madrid)
\n<\/em>First perform.: Grupo Tabir Percusi\u00f3n – Cond.: Enric Llopis – Auditorio del <\/em>Centro Cultural Villa de Madrid – 24.3.1996
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.28\u00a0 JAN MAYEN (RAPSODIA)<\/strong>\u00a0Guitar and small orchestra (Madrid, 1996)<\/p>\n

Organic:<\/em> 1 1 1 1 \u2013 0 0 0 0 \u2013 Perc. (2) \u2013 Guit. \u2013 6 6 4 2 1<\/span>
\nLasting time: <\/em>12\u2019 30\u2019\u2019
\n<\/strong>Commission: Festival Internacional de Primavera Andr\u00e9s Segovia (Madrid)
\n<\/em>First perform.: Pablo de la Cruz (guit.) – Orquesta de la Guildhall School of <\/em>Music – Cond.: Sarah Loannides – Auditorio Nacional de M\u00fasica \u2013 X <\/em>Festival Internacional de Primavera Andr\u00e9s Segovia – 7.5.1996
\n<\/em>Recording: Pablo de la Cruz (guit.) – Orquesta Sinf\u00f3nica de Czestochowa \u2013\u00a0<\/em><\/span>Cond.: Tom\u00e1s Garrido<\/span>
\nCD \u201cM\u00fasica para un paisaje – Cuentos de la Atl\u00e1ntida\u201d \u2013 Acte Pr\u00e9alable \u2013 AP0041 \u2013 Czestochowa (Polonia), 1999
\n<\/a><\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.29\u00a0 ESTUDIO VII \u201cREGRESO A JAN MAYEN\u201d<\/strong>\u00a0 Guitar (Madrid, 1996)
\n1\u00ba Prize <\/strong>in X Composition Competition of Classic Guitar <\/em>(La Herradura – Granada \u2013 January, 1997)<\/em><\/p>\n

Lasting time: <\/em>10\u2019 45\u2019\u2019
\n<\/strong><\/span>First perform.: Pablo de la Cruz – Auditorio del Conde Duque – 24.11.1997<\/span>
\n<\/em>Edition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (1997)
\n<\/span><\/em><\/a>Recording: Radio Cl\u00e1sica de RNE<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1112″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb661555″][vc_column_text uncode_shortcode_id=\u00bb178190″]OP.30\u00a0 CUARTETO n\u00ba 1 \u201cSUE\u00d1OS FLUVIALES\u201d <\/strong>String quartet (Madrid, 1996)<\/p>\n

Lasting time: <\/em>24\u2019 40\u2019\u2019
\n<\/strong>Commission: Centro para la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea para el\u00a0<\/em>Festival Internacional de M\u00fasica de Santander 1997
\n<\/em>First perform.: Quatuor Parisii – Palacio de Festivales (Sala Pereda) \u2013 46 <\/em>Festival Internacional de Santander – 13.8.1997
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.31 M\u00c9DULAS<\/strong>\u00a0Percussion group from 6 to 12 players (Corcubi\u00f3n\/Denia, 15.7 – 31.8.1997)<\/p>\n

Organic: 6 – 12 players (Obligatti<\/u> 1<\/strong>: Pandereta, Tam-Tam, Temple-Block * \u00a0 2<\/strong>: Pandero, Cymbal, Claves, Castanets * 3<\/strong>: Bongos & Tumbadoras, Rattles, Wood-Block * 4<\/strong>: Side-drum, Sistro, Reco-Reco * 5<\/strong>: Tom-Tom, Sleigh bells, Whip * 6<\/strong>: Bass drum, Kettle drums, Triangle, Maraca * Optional<\/u> 7<\/strong>: Xylophon * 8<\/strong>: Marimba * 9<\/strong>: Vibraphone * 10<\/strong>: Glockenspiel * 11<\/strong>: Pandero, Cymbal * 12<\/strong>: Tom-Tom, Rattles)
\n<\/strong>Lasting time: 10\u2019 36\u2019\u2019 – 15\u2019 20\u2019\u2019
\n<\/strong>Commission: Centro para la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea para la\u00a0Revista Quodlibet<\/em><\/span>
\nEdition: Revista Quodlibet n\u00ba 9 (octubre 1997)<\/em><\/span><\/p>\n

OP.32a TORCAL<\/strong>\u00a0Guitar and accordion (Madrid, 1997 – 1998)<\/p>\n

Lasting time: <\/em>11\u2019 37\u2019\u2019
\n<\/strong>Commission: D\u00fao Contraste (Avelina Vidal y Esteban Algora)
\n<\/em>First perform: D\u00fao Contraste – Theaterforum Kreuzberg (Berlin) – 8.2.1998
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>CD Ta\u00f1idos\u00a0 SRD-289 * Several Records, 2003<\/a><\/em>[\/vc_column_text][vc_single_image media=\u00bb1113″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb900755″][vc_column_text uncode_shortcode_id=\u00bb118586″]OP.32b TORCAL\u00a0<\/strong>Piano and accordion (Madrid, 2000)<\/p>\n

Lasting time: <\/em>11\u2019 37\u2019\u2019
\n<\/strong>Commission: \u00c1ngel Huidobro
\n<\/em>First perform.: Carmen Ruiz Merino (p.) y Ulrich Schlumberger (accord.) – <\/em>Staatstheater Braunschweig – 20.03.2006<\/em><\/span><\/p>\n

OP.33a MANIFIESTO I<\/strong> \u201cLA MIRADA INTERRUMPIDA\u201d\u00a0<\/strong>Violoncello or viola and piano (with reciter or images) (Madrid, 1998)<\/p>\n

Lasting time:<\/em> 10\u2019 30\u2019\u2019
\n<\/strong>Commission: Juan Enrique S\u00e1inz (violoncello), Alberto G\u00f3mez (piano)
\n<\/em>First perform. <\/em>(vc.): Juan Enrique S\u00e1inz and Alberto G\u00f3mez – Auditorio del <\/em>Museo Nacional de Arte Contempor\u00e1neo Reina Sof\u00eda – 20.4.1998
\n<\/em>Recording: Radio Cl\u00e1sica de RNE
\n<\/em>First perform. <\/em>(vla.): Mauri\u00e7y Banaszek (viola), Ruben Yessayan (piano) <\/em>and Lilah Grosman <\/em>(voz) – Manhattan School of Music (New York) <\/em>12.6.2002
\n<\/em><\/span>Recording: CD particular<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span>[\/vc_column_text][vc_single_image media=\u00bb1114″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb981929″][vc_column_text uncode_shortcode_id=\u00bb640139″]OP.33b MANIFIESTO I<\/strong> \u201cLA MIRADA INTERRUMPIDA\u201d\u00a0<\/strong>Clarinet, violin, violoncello and piano (with reciter or images) (Madrid, 2007)<\/p>\n

Lasting time: <\/em>10\u2019 30\u2019\u2019
\n<\/strong>Commission: Cuarteto Areteia
\n<\/em>First perform.: Cuarteto Areteia \u2013 A<\/em>uditorio de la Casa de Cultura de Tres <\/em>Cantos (Madrid) \u2013 VII Festival de M\u00fasica Contempor\u00e1nea de Tres <\/em>Cantos – 7.10.2007.
\n<\/em>Recording: Ensemble Musica d\u2019Oggi \u2013 Nicola Ventrella (CD)<\/em><\/span><\/p>\n

OP.34 ANT\u00cdFONA DE NAVIDAD\u00a0<\/strong>Mixed choir (Madrid, 1998)
\n1\u00ba Prize <\/strong>Juan Bautista Comes of musical composition of XVI Festival de M\u00fasica Coral de Segorbe 1999 (Castell\u00f3n)<\/p>\n

Lasting time: <\/em>6\u2019 02\u2019\u2019
\n<\/strong>First perform.: Coro de Juventudes Musicales de Segorbe – Cond.: M\u00aa <\/em>Dolores P\u00e9rez – Catedral de Segorbe – XVII Festival de M\u00fasica Coral <\/em><\/span>de Segorbe – 5.8.2000<\/span>
\n<\/em>Edition: Editorial Jaime Piles – Valencia (2000)<\/a>
\n<\/em>Recording: CD Ixter CD49220223 – Coro Magerit – Dir.: J.M. L\u00f3pez<\/em>\u00a0Blanco – Madrid, 2004.<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1115″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb164567″][vc_column_text uncode_shortcode_id=\u00bb817870″]OP.35 MANIFIESTO II \u201cLIBERTAD BAJO PALABRA\u201d\u00a0<\/strong>Guitar quartet (Madrid, 1998)<\/p>\n

Lasting time: <\/em>8\u2019 30\u2019\u2019
\n<\/strong>Commission: Grupo Antares for the concert held on centenary of birth of\u00a0\u00a0<\/em>Federico Garc\u00eda Lorca<\/em> (November-December 1998)<\/span>
\nFirst perform.: Cuarteto Antares – Sala de Columnas del C\u00edrculo de Bellas <\/em>Artes \u00a0\u00a0 de Madrid – 9.3.1999\u00a0<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.36a MUNCH-LIGHT\u00a0<\/strong>String orchestra (Madrid, 1999)<\/p>\n

Lasting time: <\/em>10\u2019 34\u2019\u2019
\n<\/strong>First perform.: Orquesta de C\u00e1mara SIC – Cond.: Sebasti\u00e1n Marin\u00e9 – III <\/em>Festival de M\u00fasica Contempor\u00e1nea de Madrid COMA\u201901 – Casa de <\/em>Am\u00e9rica (Madrid) – 10.11.2001
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE \u2013 TVE<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

Premiere of the work Munch-light op. 36a by the RTVE Orchestra and previous interview with Enrique Igoa<\/em><\/a><\/p>\n

OP.36b MUNCH-LIGHT\u00a0<\/strong>Piano quintet (Madrid, 2017)<\/p>\n

Lasting time: <\/em>10\u2019 34\u2019\u2019
\n<\/strong>First perform.: <\/em>Cuarteto Diapente y Francisco Luis Santiago (p.) – XIX <\/em>Festival de M\u00fasica Contempor\u00e1nea de Madrid COMA\u201917 \u2013 Auditorio\u00a0<\/em>CentroCentro \u2013 Madrid – 26.11.2017<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1116″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb113218″][vc_column_text uncode_shortcode_id=\u00bb352284″]OP.37\u00a0 CUARTETO n\u00ba 2 \u201cLA FRONTERA DE LA LLUVIA\u201d <\/strong>String quartet <\/span>(Madrid, 2000; revision: 2024)<\/p>\n

Lasting time: 7\u2019 32\u2019\u2019<\/span><\/em>
\nFirst perform.: Cuarteto 4Sonora – XXVI Festival Internacional de M\u00fasica Contempor\u00e1nea COMA\u201924 – Auditorio Caja de M\u00fasica de CentroCentro – Madrid – 3.11.2024<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1141″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb155457″][vc_column_text uncode_shortcode_id=\u00bb725486″]OP.38 LA PROFESI\u00d3N<\/strong>\u00a0Scenic capriccio in 7 tableaux for 3 singers (sopr., mezzo, bar.), 3 players (guit., accord., pno.) and electronics (Madrid, 2001-2002)<\/p>\n

Lasting time: <\/em>94\u2019 51\u2019\u2019
\n<\/strong>Commission: Centro para <\/em>la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea para el\u00a0<\/em>Festival de Alicante 2002\u00a0<\/em>First perform.: Sagrario Barrio (sopr.), Elena Monta\u00f1a (mezzo), Luis <\/em>\u00c1lvarez (bar.), Avelina Vidal (guit.), Esteban Algora (acord.), Joseba <\/em>Candaudap (p.), Enrique Igoa (electr.) – Scenic director: Gregorio <\/em>Esteban – XVIII Festival Internacional de M\u00fasica Contempor\u00e1nea de <\/em>Alicante – Teatro Principal – 3.10.2002
\n<\/em>Recording: Radio Cl\u00e1sica de RNE<\/em><\/span><\/p>\n

OP.38a OBERTURA PARA UN PAISAJE URBANO<\/strong>\u00a0Autonomous electronic music, or\/and with video or ballet (Madrid, 2002) – Overture of La profesi\u00f3n<\/strong><\/p>\n

The Overture for an urban landscape <\/strong>has been selected, after its first performance, by XII Festival de M\u00fasica Electroac\u00fastica \u201cPunto de encuentro\u201d (2003) <\/em>and by the XX and XXI Festival Internacional de M\u00fasica Contempor\u00e1nea de Alicante (2004, 2005)<\/em>. It has been also awarded prices by Laboratorio del Espacio 2011 <\/em>of LIEM-CDMC (Laboratorio de Inform\u00e1tica y Electr\u00f3nica Musical del Centro para la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea). The work has been also selected for a didactic combined project of Departamento de M\u00fasica del IES Jorge Guill\u00e9n and Departamento de Biolog\u00eda de la Universidad Complutense (2013-14), by Sociedad Espa\u00f1ola de Ac\u00fastica for the World Day\u00a0 of Sound 2013 and by Universidad de Oviedo for the subject \u201cCreaci\u00f3n musical multimedia\u201d in the degree of Musicology (2014).<\/p>\n

Lasting time: <\/em>13\u2019 06\u2019\u2019
\n<\/strong>First perform. <\/em>(version with video): X Jornadas de Inform\u00e1tica y <\/em>Electr\u00f3nica Musical – Museo Nacional Centro de Arte Reina Sof\u00eda \u2013 <\/em>30.6.2003 – Video: Juan Antonio Rom\u00e1n (JARom\u00e1n)
\n<\/em>Recording: Radio Cl\u00e1sica de RNE\/CD\/DVD<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1102″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb877414″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb184058″]OP.38b LABERINTO DE SOLEDAD<\/strong>\u00a0Voice and piano (Madrid, 2002) Three arias and two poems with music from Interlude 5\/6 of La profesi\u00f3n<\/strong><\/p>\n

Lasting time: <\/em>16\u2019 10\u2019\u2019<\/strong><\/span><\/p>\n

OP.38c SUITE<\/strong>\u00a0Chamber ensemble (Madrid, 2003) Interludes and paraphrases of La profesi\u00f3n<\/strong><\/p>\n

Organic:<\/em><\/span>
\nOriginal: fl., cl., vl., vc., p., guit., accord.<\/em><\/span>
\nFive instruments: fl., cl., vl., vc., p.<\/em><\/span>
\nSix instruments: fl., cl., sax., vl., vc., p.<\/em><\/span>
\nSeven instruments: cl., vl. I, vl. II, vla., vc., cb., p.<\/em><\/span>
\nFour instruments: vl. I, vl. II, vla., vc. (only no.3 Tango)<\/em><\/span>
\nLasting time: 12\u2019 45\u2019\u2019
\n<\/strong>First perform.: Grupo de M\u00fasica Contempor\u00e1nea del RCSMM – Cond.: S. Marin\u00e9 – Auditorio Manuel de Falla del RCSMM \u2013 Tribute concert\u00a0to Ant\u00f3n Garc\u00eda Abril – 12.05.2003<\/em><\/span>
\nRecording: Radio Cl\u00e1sica de RNE – Grupo LIM<\/em><\/span>
\nCD Grupo Cosmos 21 (No. 3, 4) \u201c25 Obras para el 25 aniversario\u201d<\/em><\/span><\/p>\n

(TANGO)[\/vc_column_text][vc_single_image media=\u00bb1118″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb841918″][vc_column_text uncode_shortcode_id=\u00bb175465″](FREE JAZZ)[\/vc_column_text][vc_single_image media=\u00bb1119″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb158107″][vc_column_text uncode_shortcode_id=\u00bb688967″]OP.39 VOCES DE PIEDRA\u00a0<\/strong>Female choir\u00a0 (Madrid, 2002)<\/p>\n

Lasting time: <\/em>5\u2019 48\u2019\u2019
\n<\/strong>Commission: Centro para la Difusi\u00f3n de la M\u00fasica Contempor\u00e1nea
\n<\/em>First perform.: Taller de M\u00fasica Contempor\u00e1nea, Escuela de Tres Cantos – <\/em>Elena Monta\u00f1a – C\u00edrculo de Bellas Artes de Madrid – 6.6.2002\u00a0 <\/em><\/span>
\nRecording: Radio Cl\u00e1sica de RNE<\/span><\/em><\/p>\n

OP.40 ENTRE LA PIEDRA Y LA FLOR\u00a0<\/strong>Chamber ensemble\u00a0(Sombreu-Mi\u00f1o [Coru\u00f1a] – Madrid, 2005-2006)<\/p>\n

Organic: <\/em>fl., cl., vl., vc., p.<\/span>
\nLasting time:<\/em> 12\u2019 50\u2019\u2019
\n<\/strong>Commission: Grupo LIM\u00a0 (30th anniversary)
\n<\/em>First perform.: Grupo LIM \u2013 Cond.: Jes\u00fas Villa Rojo \u2013 Auditorio del <\/em>Centro Cultural Conde Duque (Madrid) \u2013 25.10.2006
\n<\/em><\/span>Recording: Radio Cl\u00e1sica de RNE \u2013 Grupo LIM<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.41 NOCTURNO DE VILA-REAL\u00a0<\/strong>Guitar (Madrid, 2002)
\nLasting time: <\/em>5\u2019 30\u2019\u2019
\n<\/strong>Commission: Avelina Vidal
\n<\/em>First perform.: Avelina Vidal – Conservatorio Profesional Teresa Berganza <\/em>de Madrid – 19.11.2002<\/em><\/span><\/p>\n

OP.42a CALYPSO & ULISES<\/strong> Ballet in four scenes * Electronic elaboration (Madrid, 2003-2004)<\/p>\n

Lasting time: 22\u2019 58\u2019\u2019<\/em><\/span>
\nPictures: Miguel Etayo<\/em><\/span>
\nRecording: CD LIEM-CDMC<\/em><\/span>
\nSoundcloud:<\/em><\/span>
\nI. The Assembly of Gods
\nSoundcloud (I)<\/a><\/em><\/span>
\nII. The Island of Calypso
\nSoundcloud (II)<\/a><\/em><\/span>
\nIII. The Lament of Ulysses
\nSoundcloud (III)<\/a><\/em><\/span>
\nIV. Hermes, the Messenger. Departure of Ulysses
\nSoundcloud (IV)<\/em><\/a><\/span>
\n<\/span><\/p>\n

OP. 42b DOS FANTAS\u00cdAS COREOGR\u00c1FICAS<\/strong> Classical orchestra (Madrid, 2019)
\n<\/em>Orchestration of no. I and IV from Calypso & Ulises op. 42a
\n<\/em>
\n<\/em><\/strong>Lasting time<\/em>: <\/em>9\u2019 28\u2019\u2019
\n<\/em><\/strong>Commission: Sebasti\u00e1n Marin\u00e9 for the RCSMM Classical Orchestra<\/em><\/span>
\nFirst perform: Orquesta Cl\u00e1sica \u201cMariana Mart\u00ednez\u201d del RCSMM \u2013 Dir.: Sebasti\u00e1n Marin\u00e9 \u2013 Auditorio Nacional de M\u00fasica \u2013 14.6.2021<\/em><\/span>
\n<\/em><\/strong>Edition: EMEC (2021)<\/a><\/em><\/p>\n

OP.43 MON\u00d3LOGO\u00a0<\/strong>Harp (Madrid, 2004)<\/p>\n

Lasting time: <\/em>7\u2019 20\u2019\u2019
\n<\/strong>Commission: Mar\u00eda Rosa Calvo Manzano
\n<\/em>First perform.: Mar\u00eda Rosa Calvo-Manzano \u2013 Auditorio del Centro Cultural <\/em>Conde Duque (Madrid) \u2013 21.1.2008<\/em><\/span><\/p>\n

OP.44 ANT\u00cdFONA DE CUARESMA\u00a0<\/strong>Mixed choir (Madrid, 2004; revision: 2014)<\/p>\n

Lasting time: <\/em>3\u2019 56\u2019\u2019
\n<\/strong>First perform.: Coro Nur \u2013 Cond.: Jos\u00e9 Manuel L\u00f3pez Blanco \u2013 Iglesia de <\/em>los PP. Escolapios de Getafe \u2013 XXIV Festival de M\u00fasica antigua y <\/em>sacra Ciudad de Getafe – 8.3.2015 <\/em><\/span><\/p>\n

OP.45 EL SUE\u00d1O DE AMAD\u00cdS <\/strong>String orchestra\u00a0 (Mallorca – Madrid, 2004)<\/p>\n

Lasting time: <\/em>8\u2019 12\u2019\u2019
\n<\/strong>Commission: Orquesta de C\u00e1mara Reina Sof\u00eda
\n<\/em>First perform.: Orquesta de C\u00e1mara Reina Sof\u00eda \u2013 Cond.: Nicol\u00e1s\u00a0<\/em>Chumachenco XXVI Festival Internacional de Ayamonte \u2013 Teatro <\/em>Cardenio Ayamonte (Huelva) \u2013 13.8.2008<\/em><\/span><\/p>\n

\u00a0<\/em>OP.46 COMING TO CUMMINGS <\/strong>Mixed choir, recorder and small percussion (Madrid, 2008)<\/p>\n

Lasting time: <\/em>2\u2019 30\u2019\u2019
\n<\/strong>Commission: Revista M\u00fasica y Educaci\u00f3n
\n<\/em>Edition: \u00c1lbum de M\u00fasica y Educaci\u00f3n \u2013 Composiciones actuales para el <\/em>aula XX Aniversario de la Revista M\u00fasica y Educaci\u00f3n<\/em><\/span><\/p>\n

OP.47 INVOCATIONES TEMPORE BELLI<\/strong>\u00a0Organ (Madrid, 2004)
\nHonorable mention<\/strong> of Concours de Composition pour Orgue de la Ville de\u00a0Nice 2005 (France)<\/p>\n

Lasting time: <\/em>9\u2019 42\u2019\u2019
\n<\/strong>Firs perform: Ra\u00fal del Toro \u2013 Iglesia de Santa Mar\u00eda la Antigua \u2013 <\/em><\/span>Vic\u00e1lvaro (Madrid) \u2013 Festival de \u00d3rgano de Vic\u00e1lvaro<\/span>
\nEdition: Editorial de M\u00fasica Espa\u00f1ola Contempor\u00e1nea (2020)<\/a><\/span><\/em>
\n<\/strong><\/p>\n

OP.48 SEMILLAS PARA UN HIMNO\u00a0<\/strong>(remembering \u00c1ngel Barja)\u00a0<\/strong>Chamber ensemble (London\/Thame [England] \u2013 Madrid, 2006-2007)<\/p>\n

Organic:<\/em> cl., sax. alto, vl., vc., p.<\/span>
\nLasting time:<\/em> 11\u2019 40\u2019\u2019
\n<\/strong>Commission: Carlos Gal\u00e1n for Grupo Cosmos 21 (20th anniversary)
\n<\/em>First perform.: Grupo Cosmos 21 \u2013 Cond.: Carlos Gal\u00e1n – Iglesia de Santa <\/em>Mar\u00eda de los \u00c1ngeles (San Vicente de la Barquera \u2013 Cantabria) \u2013 56 <\/em>Festival Internacional de Santander \u2013 16.8.2007
\n<\/em>Recording: CD Verso VRS 2080 \u00abCompositores madrile\u00f1os del XXI\u00bb (2009)
\n<\/em><\/span>Grupo Cosmos 21 \u2013 Dir.: Carlos Gal\u00e1n<\/span>
\n<\/em>Spotify<\/a><\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1120″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb231907″][vc_column_text uncode_shortcode_id=\u00bb154496″]OP.49 OTO\u00d1O AZUL\u00a0<\/strong>Electronic music with video (actor and\/or dance ad libitum) (Madrid, 2007) Video: Juan Antonio Rom\u00e1n (JARom\u00e1n)<\/p>\n

Lasting time:<\/em> 12\u2019 40\u2019\u2019
\n<\/strong>First perform. (version with recorded voice): Auditorio 400 \u2013 Museo <\/em>Nacional Centro de Arte Reina Sof\u00eda \u2013 XIV Jornadas de Electr\u00f3nica e <\/em>Inform\u00e1tica Musical del Centro para la Difusi\u00f3n de la M\u00fasica <\/em>Contempor\u00e1nea \u2013 3.7.2007
\n<\/em>Recording: CD\/V\u00cdDEO\/DVD<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1121″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb136006″][vc_column_text uncode_shortcode_id=\u00bb158442″]OP.50 P\u00d3RTICO DE LA QUIMERA\u00a0<\/strong>Choir, chamber choir, solo choir and orchestra (Santorini [Greece] \u2013 Madrid, 2009)<\/p>\n

Organic: <\/em>choir and orchestra [4 3 4 3 \u2013 4 3 3 1 \u2013 Perc. (4) \u2013 Pno. \u201314 12 10 8 6]<\/span>
\nLasting time:<\/em> 13\u2019 40\u2019\u2019
\n<\/strong>Commission: Fundaci\u00f3n Autor y AEOS para la Orquesta y Coro de la <\/em>Comunidad de Madrid
\n<\/em>First perform.: Coro y Orquesta de la Comunidad de Madrid \u2013 Cond.: Jos\u00e9 <\/em>Ram\u00f3n Encinar \u2013 Auditorio Nacional de M\u00fasica \u2013 Temporada 2009-<\/em>2010 de la ORCAM (Orquesta de la Comunidad de Madrid) \u2013 <\/em>7.6.2010.
\n<\/em>Recording: Radio Cl\u00e1sica de Radio Nacional de Espa\u00f1a * CD Nueva <\/em><\/span>Creaci\u00f3n Sinf\u00f3nica 5 \u2013 Fundaci\u00f3n Autor & AEOS, 2011<\/span>
\n<\/em>Soundcloud<\/em><\/a><\/span><\/p>\n

OP.51 \u00c1GUILAS DE METAL <\/strong>Brass quintet (Madrid, 2004; Sombreu \u2013 Mi\u00f1o, Madrid, 2013; revision: Madrid, 2015)<\/p>\n

Lasting time: <\/em>8\u2019 15\u2019\u2019
\n<\/strong>First perform.: Spanish Brass \u2013 XXVII Festival Internacional de M\u00fasica Contempor\u00e1nea COMA\u201925 \u2013 Sala de C\u00e1mara del Auditorio Nacional de M\u00fasica de Madrid – 12.11.205<\/em><\/span><\/p>\n

OP.52 TRAZOS <\/strong>Violin solo (Madrid, september 2014)<\/p>\n

Lasting time: <\/em>2\u2019 03\u2019\u2019
\n<\/strong>Commission: AMCC for a pedagogical album<\/em><\/span><\/p>\n

OP.53 RENDERINGS\u00a0<\/strong>Chamber ensemble (Madrid, october-december 2015)<\/p>\n

Organic:<\/em> cl., 2 vl., vla., vc., cb., p.<\/span>
\nLasting time:<\/em> 8\u2019 01\u2019\u2019
\n<\/strong>Commission: Luis Aguirre for the Sonor Ensemble
\n<\/em>First perform.: Sonor Ensemble \u2013 Cond.: Luis Aguirre \u2013 Auditorio 400 del <\/em>Museo Reina Sof\u00eda de Madrid \u2013 Temporada 2015-16 del CNDM <\/em>(Centro para la Difusi\u00f3n de la M\u00fasica), Series 20\/21 \u2013 11.04.2016.
\n<\/em>Recording: Radio Cl\u00e1sica de RNE <\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1122″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb885513″][vc_column_text uncode_shortcode_id=\u00bb210713″]OP. 54\u00a0ANT\u00cdFONA DE PASCUA<\/strong> Mixed choir (Sombreu-Mi\u00f1o, Madrid, 2016\/2022)<\/p>\n

Lasting time:<\/em>\u00a07\u2019 40\u2019\u2019
\n<\/strong>First perform.: Coro Nur \u2013 Cond.: Alfonso Mart\u00edn \u2013 Auditorio Caja de M\u00fasica CentroCentro \u2013 Festival Internacional de M\u00fasica Contempor\u00e1nea COMA\u201923 \u2013 19.11.2023<\/em><\/span><\/p>\n

OP.55 MYTHOLOGICA I \u201cIUDICIUM PARIDIS\u201d\u00a0<\/strong>Clarinet and string trio (Sombreu-Mi\u00f1o, Madrid, July-September 2017)<\/p>\n

Lasting time: <\/em>9\u2019 56\u2019\u2019<\/strong><\/span><\/p>\n

OP. 56 FRISO DE LOS VIENTOS Instrumental ensemble (Madrid, September-November 2017)<\/p>\n

Organic: fl., cl., bass cl., bs., tpt., trb., p., vl., vc.<\/em><\/span>
\nLasting time: 11\u2019 05\u2019\u2019<\/strong><\/em><\/span>
\nCommission: CNDM for Santiago Serrate and Grupo Modus Novus<\/em><\/span>
\nFirst perform.: Grupo Modus Novus \u2013 Dir.: Santiago Serrate \u2013 Auditorio<\/em><\/span>
\n400, Museo Reina Sof\u00eda de Madrid – Temporada 2017-18 CNDM (Centro para la Difusi\u00f3n de la M\u00fasica), Series 20\/21 \u2013 15.01.2018<\/em><\/span><\/p>\n

OP. 57 OLEADA<\/strong> Instrumental ensmble (Sombreu \u2013 Mi\u00f1o, 2018)<\/p>\n

Organic: fl., cl., vl., vc., p.<\/strong><\/span>
\nLasting time: 10\u2019 25\u2019\u2019
\nCommission: Juan Jos\u00e9 Olives y Grupo Enigma de Zaragoza<\/em><\/span>
\nFirst perf.: Grupo Enigma \u2013 Cond.: Juan Pablo Hell\u00edn \u2013 IX Festival de Ensembles \u2013 Madrid, Teatros del Canal, Sala Verde \u2013 7.10.2018<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1123″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb145791″][vc_column_text uncode_shortcode_id=\u00bb626570″]OP.58 OFRENDA <\/strong>Grupo instrumental (Madrid \/ Sombreu-Mi\u00f1o, 2020)<\/p>\n

Organic<\/em>: 2 vl., vla., vc., cb., p.
\n<\/strong>Duraci\u00f3n:<\/em> 9\u2019 09\u2019\u2019
\n<\/strong>First perform.: Luis Aguirre para el Sonor Ensemble<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1124″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb102780″][vc_column_text uncode_shortcode_id=\u00bb211366″]OP. 59 SILENTIUM<\/strong> Guitar (Madrid, 2021)<\/p>\n

Lasting time.<\/em> 5\u201924\u2019\u2019
\n<\/strong>Commission: Enrique Mu\u00f1oz for a tribute concert remembering to Jos\u00e9 Luis Rodrigo and Manuel Est\u00e9vez, guitar professors recently deceased.
\n<\/em>First perform: Tribute to Jos\u00e9 Luis Rodrigo and Manuel Est\u00e9vez\u2013 Auditorio <\/em>Manuel de Falla del Real Conservatorio Superior de M\u00fasica de\u00a0 <\/em>Madrid \u2013 Pedro Jes\u00fas G\u00f3mez (guit.) \u2013 12.3.2022.<\/em><\/span><\/p>\n

Edition:<\/em> Revista Roseta n.\u00ba 16 (2021-22). Revista de la Sociedad Espa\u00f1ola<\/em>\u00a0de la guitarra, pp. 190-196.<\/em><\/span><\/a><\/p>\n

OP.60 TRES VELAS (MUJERES DE SOROLLA) <\/strong>Instrumental ensmble\u00a0(Madrid \/ Sombreu-Mi\u00f1o, 2022)<\/p>\n

Organic:<\/em> 2 vl., vla., vc., cb., p.
\n<\/strong>Lasting time:<\/em> 7\u2019 40\u2019\u2019
\n<\/strong>Commission:<\/em> Orquesta Nacional de Espa\u00f1a con destino al Ciclo Sat\u00e9lites de <\/em>la Temporada 2022-23
\n<\/em>First perf.: Sonor Ensemble \u2013 Dir.: Luis Aguirre \u2013 Ciclo Sat\u00e9lites 9 \u2013 <\/em>Auditorio Nacional de M\u00fasica \u2013 24.1.2023<\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1103″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb551977″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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