{"id":473,"date":"2017-10-23T12:32:36","date_gmt":"2017-10-23T12:32:36","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=473"},"modified":"2026-01-07T17:07:13","modified_gmt":"2026-01-07T17:07:13","slug":"obras-fuera-del-catalogo-numerico","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/obras-fuera-del-catalogo-numerico\/","title":{"rendered":"Works out of the numerical catalogue"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb187841″][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ uncode_shortcode_id=\u00bb879426″][vc_column_text uncode_shortcode_id=\u00bb111492″]<\/p>\n

Image: partiture OP.38c SUITE (Tango escondido)<\/em><\/p>\n

 <\/p>\n

<\/div>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb412516″]SONATA DE JUVENTUD <\/strong>Piano (Madrid, 2008; revisi\u00f3n de la Balada n\u00ba 1 <\/em>de 1972) (Madrid, 2008)<\/p>\n

Lasting time: <\/em>9\u2019 12\u2019\u2019
\n<\/strong>Edition<\/em><\/a>
\n<\/strong><\/span><\/p>\n

………………………………………………<\/span><\/p>\n

ALBORADA\u00a0<\/strong>Electronics or traditional Galician ensemble (Madrid, 1983, revision 1999)<\/p>\n

Lasting time: <\/em>7\u2019 30\u2019\u2019<\/span><\/p>\n

………………………………………………<\/span><\/p>\n

LAS LUMINARIAS\u00a0<\/strong>Arrangement of folk music (Madrid, 1988)<\/p>\n

Lasting time: <\/em>3\u2019 09\u2019\u2019<\/strong><\/span><\/p>\n

………………………………………………<\/span><\/p>\n

THE THREE RAVENS\u00a0<\/strong>White 3-voice choir or mixed 5 voice choir (Madrid, 1996)<\/p>\n

Lasting time: <\/em>3\u2019 40\u2019\u2019<\/strong><\/span><\/p>\n

………………………………………………<\/p>\n

LAMENTO\u00a0<\/strong>Voice and instrumental ensemble (Madrid, 1996) * Texto del autor<\/p>\n

Lasting time: <\/em>3\u2019 12\u2019\u2019<\/strong><\/p>\n

………………………………………………<\/p>\n

AVE MAR\u00cdA\u00a0<\/strong>(Bach – Gounod) Arrangement for 3-voice choir & organ (Madrid, 2008)<\/p>\n

Lasting time: <\/em>3\u2019 15\u2019\u2019
\n<\/strong>First perform.: Coro Stella splendens \u2013 Cond. and organ : Enrique Igoa \u2013 <\/em>Iglesia de San Jorge <\/em>(Madrid) \u2013 21.6.2008<\/em><\/span>
\nEdition: IMSLP\u00a0<\/a><\/em>
\nEdition: IMSLP (vocal parts)<\/a><\/em>
\n<\/span><\/span>[\/vc_column_text][vc_single_image media=\u00bb1039″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb850148″][vc_column_text uncode_shortcode_id=\u00bb107552″]………………………………………………<\/p>\n

CUADERNO DE CAMPO<\/strong> Piano (Madrid \u2013 Bari, 2009). Commission of Fundaci\u00f3n M\u00fasica Abierta bound for children with right hemiparesis.<\/p>\n

Lasting time: 19\u2019 40\u2019\u2019<\/strong><\/span><\/em>
\nPartial first performances:<\/span><\/em>
\n\u201cDanza\u201d, work selected for the Festive Piano Composition Contest in Dallas, Texas (USA), 2018<\/span><\/em>
\nFirst perform.: Dallas, Texas, 22.12.2019 – Pianist: Felicity Mazur-Park<\/span><\/em>
\n\u201cLlueve en silencio\u201d. Presentation of the yearly program of Grupo Cosmos 21 \u2013 Carlos Gal\u00e1n (p.) \u2013 Madrid, Sala Manuel de Falla de la SGAE, 5.10.2021<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1044″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb523748″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb117639″]7 CANCIONES POPULARES de M. de Falla\u00a0<\/strong>Transcription for instrumental ensemble (Madrid, 2011).<\/p>\n

Organic: fl., cl., sax., vl., vc., p.<\/span><\/em>
\nLasting time: 14\u2019 21\u2019\u2019
\n<\/strong>Commission: Grupo Cosmos 21 como homenaje a Leopoldo Honta\u00f1\u00f3n.<\/span><\/em>
\nFirst perform.: Grupos Cosmos 21 \u2013 Cond.: Carlos Gal\u00e1n \u2013 Auditorio de\u00a0Tres Cantos – 29.10.2011
\nRecording: Festival de Tres Cantos \u2013 CD<\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1127″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb209625″][vc_column_text uncode_shortcode_id=\u00bb589502″]…………………………………………….<\/p>\n

DAMUNT DE T\u00da NOM\u00c9S LES FLORS de F. Mompou\u00a0<\/strong>Transcription for solo piano (Madrid, 2013)<\/p>\n

Commission: Luis Fernando P\u00e9rez Herrero<\/span><\/em>
\nLasting time: 4\u2019 41\u2019\u2019
\n<\/strong>First perform.: Luis Fernando P\u00e9rez – Temporada de la Sociedad
\nFilarm\u00f3nica Palau de la M\u00fasica \u2013 Valencia\u00a0 31.3.2015<\/span><\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=\u00bb154042″]………………………………………<\/span><\/p>\n

ABIDE WITH ME\u00a0<\/strong>(W.H. Monk) Arrangement for mixed choir and organ (Madrid, 2016)<\/p>\n

Lasting time:\u00a03\u2019 27\u2019\u2019<\/strong><\/span><\/em>
\nEdition:\u00a0IMSLP<\/a><\/span><\/em>[\/vc_column_text][vc_single_image media=\u00bb1172″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb134629″][vc_column_text uncode_shortcode_id=\u00bb770370″]MEMORIAS DE LA ILUSTRACI\u00d3N <\/strong>Arranging of Sonatas 87 and 42 of Antonio Soler for instrumental ensemble (Madrid, 2018)<\/p>\n

Organic: fl., cl., alto sax., vl. vc, p.<\/em><\/span>
\nLasting time: 5\u2019 24\u2019\u2019
\n<\/strong>First perf.: Grupos Cosmos 21 \u2013 Dir.: Carlos Gal\u00e1n\u00a0\u00a0 \u2013 Monographic Concert for Enrique Igoa \u2013 Centro Cultural Nicol\u00e1s Salmer\u00f3n \u2013\u00a0Madrid \u2013 24.10.2018
\nEdition IMSLP<\/a>
\n<\/em><\/span><\/p>\n

………………………………………………<\/p>\n

AVE MAR\u00cdA<\/strong> (Bach \u2013 Gounod) Arrangement for clarinet, violin, violoncello and piano from Ave Maria for chorus and organ (Madrid, 2019)
\nWork selected by Ensemble Sound Riot (2019)<\/p>\n

Lasting time: 3\u2019 15\u2019\u2019<\/strong><\/span><\/em>
\nFirst perf.: Ensemble Sound Riot (Emily Tyndall, cl.; Liz Kitts, vl.; Maggie Chafee, vc.; Amber Thruman, p.) \u2013 Christ Church Cathedral, Nashville, Tennessee (USA) \u2013 29.3.2019<\/span><\/em>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb126248″]MODOS Y RITMOS<\/strong> Lesson of Musical Language. Voice and piano (Madrid, 2019)<\/p>\n

Lasting time:<\/em> 2\u2019 45\u2019\u2019<\/strong><\/span>
\nEdition:<\/em> El lenguaje de los compositores actuales. Ed. M\u00fasica Did\u00e1ctica, 2019<\/span><\/p>\n

………………………………………………<\/p>\n

LAINOA MENDIAN <\/strong>Instrumental ensemble (Mor\u00f3n de la Frontera [Sevilla], Denia [Alicante], Sombreu-Mi\u00f1o [Coru\u00f1a], 2021; revisi\u00f3n: 2025)
\nDedicated to my grandson Ignacio<\/p>\n

Lasting time: 5\u2019 02\u2019\u2019<\/strong><\/em><\/span>[\/vc_column_text][vc_single_image media=\u00bb1144″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb974674″][vc_column_text uncode_shortcode_id=\u00bb633380″]…………………………………………………<\/p>\n

MEMORIAS DE LA ILUSTRACI\u00d3N<\/strong> Transcription of the Sonatas 87 y 42 from Antonio Soler for string Orchestra or string quintet (Madrid, 2021)
\nLasting time: 6\u2019 16\u2019
\n<\/strong>Edition IMSLP<\/a>
\n<\/strong><\/em><\/span><\/p>\n

…………………………………………………<\/p>\n

SOROEN ESNATZEA <\/strong>Instrumental ensemble (Madrid, 2023)
\nDedicated to my grandson \u00c1lvaro<\/em>
\nLasting time: <\/em>4\u2019 05\u2019\u2019<\/strong><\/span>[\/vc_column_text][vc_single_image media=\u00bb1145″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb377238″][vc_column_text uncode_shortcode_id=\u00bb160514″]……………………………………………..<\/p>\n

AMAZING GRACE\u00a0<\/strong>Coro a cuatro voces y \u00f3rgano (2025)<\/p>\n

lasting time: <\/em><\/span>3\u2019 48\u2019\u2019<\/em><\/span>
\n<\/strong>Edition IMSLP<\/a>[\/vc_column_text][vc_single_image media=\u00bb1158″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb154693″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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