{"id":49,"date":"2017-10-03T10:57:19","date_gmt":"2017-10-03T10:57:19","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=49"},"modified":"2024-10-18T12:56:56","modified_gmt":"2024-10-18T12:56:56","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/publicaciones\/","title":{"rendered":"Papers"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb187841″][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ uncode_shortcode_id=\u00bb879426″][vc_column_text uncode_shortcode_id=\u00bb114391″]<\/p>\n

Many of the papers listed here are available for download in the web page of the author in\u00a0Academia<\/i>:\u00a0<\/span><\/span>https:\/\/albeniz.academia.edu\/EnriqueIgoa<\/span><\/a><\/span><\/p>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb563757″]Paper<\/strong> \u201cUn nuevo m\u00e9todo de an\u00e1lisis en Musicolog\u00eda\u201d, Anuario Musical del C.S.I.C., vol. 41 (Barcelona, 1986).<\/p>\n

Paper<\/strong> <\/span>\u201cObservaciones complementarias al m\u00e9todo del grado de cromatismo\u201d, Revista de Musicolog\u00eda, vol. XII n\u00ba 1 (Madrid, 1989).
\nSee
\n<\/a><\/span>
\nPaper<\/strong> \u201cDon Giovanni: an\u00e1lisis musical\u201d, Revista Scherzo, III Festival Mozart (Madrid, 1990).
\nSee<\/span><\/a><\/p>\n

Paper<\/strong> \u201cW.A.Mozart: las sinfon\u00edas y los conciertos\u201d, Revista Scherzo (Monogr\u00e1fico Mozart, 1991).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cRam\u00f3n Carnicer: algunos ejemplos de la obra orquestal\u201d, Revista Scherzo n\u00ba 64 (May 1992).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cReflexiones en torno a la \u00f3pera en nuestro siglo\u201d, Revista \u00d3pera Actual n\u00ba 15 (March 1995).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cReflexiones en torno a la \u00f3pera en nuestro siglo\u201d, Revista Concerto n\u00ba 9 (October 1996).<\/p>\n

Paper<\/strong> \u201cLas golondrinas, de J.M. Usandizaga: un an\u00e1lisis musical\u201d, Revista M\u00fasica y Educaci\u00f3n n\u00ba 30 (June 1997).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cCreaci\u00f3n musical y pedagog\u00eda. Breve comentario sobre M\u00e9dulas<\/em>\u201d, Revista de la Asociaci\u00f3n de Percusionistas (Jul. – Sept. 1998).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cAn\u00e1lisis estad\u00edstico: el grado de cromatismo y otras medidas de dispersi\u00f3n tonal\u201d, for the I Symposium Internacional de An\u00e1lisis Musical (Oviedo, May, 1991). Edition: Revista M\u00fasica y Educaci\u00f3n n\u00ba 35 (October 1998).<\/p>\n

Paper<\/strong> \u201cAn\u00e1lisis estad\u00edstico\u201d. Revista Quodlibet n\u00ba 13 (February 1999).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cAspectos formales en \u201cFalstaff\u201d, for the Interdisciplinary Conference held in the centenary of the death of Verdi. Madrid, Real Musical, 2002.
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cAn\u00e1lisis de dos poemas sinf\u00f3nicos de Liszt y Franck\u201d, for the Interdisciplinary Conference held in the Universidad Complutense de Madrid about \u201cWord and Music\u201d (2001). Edition: Palabra y m\u00fasica. Departamento de Filolog\u00eda Francesa de la Facultad de Filolog\u00eda de la Universidad complutense de Madrid (2005).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cApuntes anal\u00edticos en torno al ballet Estancia<\/em> de Alberto Ginastera\u201d. Universidad Complutense de Madrid, 2002.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb757359″]Paper<\/strong> \u201cM\u00fasica para guitarra y orquesta en el cambio de siglo: Fantas\u00edas<\/em> de Luis de Pablo y Jan Mayen<\/em> de Enrique Igoa\u201d. Universidad Complutense de Madrid, 2002. Revista de Musicolog\u00eda vol. XXV n\u00ba 2 (Madrid, 2002).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLos escritos musicales de Charles E. Ives\u201d. Revista Scherzo n\u00ba 185, (April 2004).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cD.Q. Don Quijote en Barcelona: creaci\u00f3n simult\u00e1nea de una \u00f3pera\u201d. Revista Doce Notas Preliminares n\u00ba 14, winter-spring 2004-2005.
\nSee<\/span><\/a><\/p>\n

Paper<\/strong> \u201cCreaci\u00f3n musical y pedagog\u00eda. An\u00e1lisis de M\u00e9dulas<\/em>\u201d. Revista Espacio Sonoro n\u00ba 6, 2005.<\/p>\n

Paper<\/strong> \u201cPervivencia y modernidad de Beethoven\u201d. Revista Scherzo n\u00ba 221, (July 2007).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLa m\u00fasica para el cine de Francisco Guerrero\u201d. Revista del VIII Festival de M\u00fasica Iberoamericana de C\u00e1diz.
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLas \u00faltimas sinfon\u00edas de Sibelius\u201d. Revista Scherzo n\u00ba 225, (December 2007).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cAudici\u00f3n y an\u00e1lisis: una dependencia mutua en constante renovaci\u00f3n\u201d. Revista Doce Notas Preliminares n\u00ba 20, winter-spring 2007-2008.
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cMessiaen: religi\u00f3n y cantos de p\u00e1jaros\u201d. Revista Scherzo n\u00ba 236, (December 2008).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cChopin: figura y fondo\u201d. Revista Scherzo n\u00ba 251 (April 2010).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLiszt el precursor o el virtuosismo trascendido\u201d. Revista Scherzo n\u00ba 259 (January 2011).
\nSee<\/span><\/a><\/p>\n

Paper<\/strong> \u201cTempo y ritmo en la m\u00fasica: un encuentro dial\u00e9ctico\u201d. Encuentro interdisciplinar \u201cDesde el ritmo\u201d, Casa Encendida, mayo 2012. Edition: Ritmo. El pulso del arte y de la vida. Editorial Abada (Madrid, 2015).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLos escritos te\u00f3ricos de Jean Philippe Rameau\u201d. Revista Scherzo n\u00ba 301 (November 2014).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLas sinfon\u00edas (y otras obras instrumentales) de Carl Nielsen\u201d. Revista Scherzo n\u00ba 305 (March 2015).
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cLa cath\u00e9dral engloutie<\/em>\u00a0de Claude Debussy: un prisma con muchas caras\u201d. Revista M\u00fasica n\u00ba 22, 2015.
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u201cPresentaci\u00f3n de la Edition de 20 Sonatas de Antonio Soler\u201d. Morales & Latchman, M. (editores), 2016. \u201cNew Perspectives on the Keyboard Works of Antonio Soler\u201d. Almer\u00eda: FIMTE series n\u00ba 5.
\nSee<\/span><\/a><\/p>\n

Paper<\/strong> \u201cLa cuesti\u00f3n de la forma en las sonatas de Antonio Soler\u201d. Morales & Latchman, M. (editores), 2016. \u201cNew Perspectives on the Keyboard Works of Antonio Soler\u201d. Almer\u00eda: FIMTE series n\u00ba 5.
\nSee<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text uncode_shortcode_id=\u00bb857537″]Paper<\/strong> \u201cArmon\u00eda funcional: revisi\u00f3n y actualizaci\u00f3n del sistema.\u201d Revista M\u00fasica n\u00ba 24, 2017. (Reissue 2023)
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u00abFunctional Harmony. A review of the system\u00bb (English revised and enlarged versi\u00f3n). Academia.edu, 2019. (Reissue 2023)
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u00abCreaci\u00f3n musical y pedagog\u00eda\u00bb (An\u00e1lisis de M\u00e9dulas op. 31<\/em> de E. Igoa para grupo de percusi\u00f3n). Academia.edu, 2019.
\nSee<\/a><\/span><\/p>\n

Paper \u00ab<\/strong>The First Recordings of the Soler Sonatas in Ms. Cary 703″. Academia.edu, 2020
\nSee<\/a><\/span><\/p>\n

Paper \u00ab<\/strong>The New Sonatas of Antonio Soler in Ms. Cary 703″: An Analytical and Stylistic Survey. 2020
\nSee<\/a><\/span><\/p>\n

Paper<\/strong> \u00abLa Sinfon\u00eda n.\u00ba 2 \u00abNavidad\u00bb de K. Penderecki\u00bb. Revista Excelentia no. 13 (December 2020).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abLas cuatro Baladas de F. Chopin\u00bb. Revista Excelentia no. 14 (February 2021).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abEl Padre Soler, actualizado\u00bb. Revista Excelentia no. 18 (September 2021).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abLos Conciertos de Brandemburgo de J.S. Bach: 300 a\u00f1os de una obra \u00fanica\u00bb. Revista Excelentia no. 20 (December 2021).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abLa Serenata op. 22 de Dvorak\u00bb. Revista Excelentia no. 21 (February 2022).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abSebasti\u00e1n de Albero en el tricentenario de su nacimiento\u201d.<\/span>\u00a0Revista Excelentia\u00a0<\/span><\/i>n.\u00ba 26 (November 2022).<\/span>
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abLa pasi\u00f3n juvenil de Leos Janacek\u201d.\u00a0Revista Excelentia\u00a0<\/i>n.\u00ba 27\u00a0\u00a0(January 2023).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abGeorge Gershwin. Una figura controvertida y fascinante\u201d. Revista Excelentia\u00a0<\/i>n.\u00ba 31 – 32\u00a0 (2023).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abEnrique Igoa. Retrospectiva de un compositor ecl\u00e9ctico\u201d.\u00a0Revista Excelentia\u00a0<\/i>n.\u00ba 33\u00a0 (2023).
\nSee<\/a><\/p>\n

Paper <\/b>\u00abLa encrucijada de la m\u00fasica contempor\u00e1nea (Panor\u00e1mica desde la Comunidad de Madrid)\u00bb
\nM\u00fasica contempor\u00e1nea en Espa\u00f1a \u2013 Perspectivas en el siglo XXI <\/em>(2024).
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abGabriel Faur\u00e9. Un maestro de la m\u00fasica vocal\u00bb Revista Excelentia no. 37 (2024)<\/em>
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abPedagog\u00eda actualizada de la sonata\u00bb. Propuestas pedag\u00f3gicas e interdisciplinares sobre el an\u00e1lisis y la teor\u00eda musical\u00a0(2024)<\/em>
\nSee<\/a><\/p>\n

Paper<\/strong> \u00abLa saga de los Halffter. Un siglo de m\u00fasica en Espa\u00f1a y m\u00e1s all\u00e1\u00bb. Revista Excelentia nos. 38-39 (2024)<\/em>
\nSee<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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