{"id":52,"date":"2017-10-03T11:03:23","date_gmt":"2017-10-03T11:03:23","guid":{"rendered":"http:\/\/www.enriqueigoa.com\/prueba\/?page_id=52"},"modified":"2026-01-05T10:00:10","modified_gmt":"2026-01-05T10:00:10","slug":"cursos-y-conferencias","status":"publish","type":"page","link":"https:\/\/www.enriqueigoa.com\/en\/cursos-y-conferencias\/","title":{"rendered":"Courses and Lectures"},"content":{"rendered":"

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Courses and Auditions<\/strong><\/span><\/h4>\n
    \n
  1. Course<\/strong> for improvement in musical education (Professors Centre, Le\u00f3n, 1985-86).<\/li>\n
  2. Seminar<\/strong> of Musical Acoustics and Contemporary Music (Le\u00f3n, 1985-86).<\/li>\n
  3. Courses<\/strong> of Musical Acoustics (Le\u00f3n, 1986-87; Oviedo, 1987; Astorga, 1992; Salamanca, 1997).<\/li>\n
  4. Courses<\/strong> in Universidad de Alcal\u00e1 de Henares:<\/li>\n<\/ol>\n

    4.1. Musical Analysis in 1875-1918 period and Acoustics of new sounds of this period <\/em>(1990).
    \n4.2. Last works for piano of\u00a0 F. Liszt<\/em> (1991).
    \n4.3. Musical Analysis and Philosophy: commentaries around \u201cPhilosophy of Music\u201d of\u00a0 J.D. Garc\u00eda Bacca <\/em>(1993).
    \n4.4. Beethoven: aesthetic approach through his piano sonatas <\/em>(1994).
    \n4.5. Introduction to the 3rd course of Analysis of Contemporary Music imparted by Arturo Tamayo. Boulez: \u201cLe Marteau sans ma\u00eetre\u201d and \u201cTombeau\u201d from \u201cPli selon pli\u201d <\/em>(1994).
    \n4.6. Methods of musical analysis in action: functional analysis, modal analysis, set theory, structural analysis <\/em>(1995).
    \n4.7. Analysis of sonatas n\u00ba 1, 13, 20 and 21 of Beethoven<\/em> (2003).
    \n4.8. Analysis in Intermediate Degree<\/em> (2005).
    \n4.9. The Iberian sonata from XVIII century: An essential repertory<\/em>. (2009).
    \n4.10. Analytical approach to the chamber music <\/em>(2011).<\/p>\n

      \n
    1. Annual cycles of musical auditions<\/strong> in Universidad de Alcal\u00e1 de Henares: History of Music <\/em>(1994); The opera in images <\/em>(1995); The opera and its environment <\/em>(1996); The opera<\/em> of the Teatro Real<\/em> (1997-98); Four centuries of opera <\/em>(1998-99); The opera and its time <\/em>(1999-2000); Music in scene: opera and film I <\/em>(2000-2001); Music in scene: opera and film II<\/em> (2001-2002); Music in scene: opera and film III<\/em> (2002-2003).<\/li>\n
    2. Auditions and analysis<\/strong> in the Conservatorio Arturo Soria: Wozzeck <\/em>(Berg); Metastaseis<\/em> (Xenakis); Gruppen <\/em>(Stockhausen); Die Soldaten <\/em>(Zimmermann); Salome<\/em> (R.Strauss); The Rake\u2019s Progress <\/em>(Stravinsky); Le marteau sans ma\u00eetre<\/em> (Boulez); Ionisation<\/em> and Arcana<\/em> (Var\u00e8se); The Bassarids <\/em>(H.W. Henze).<\/li>\n
    3. Auditions and analysis<\/strong> in the Real Conservatorio Superior de M\u00fasica de Madrid: Ancient Voices of Children<\/em> (G. Crumb); Symphony no. 5<\/em> (Bruckner); Wozzeck<\/em> (Berg); Turangal\u00eela Symphony <\/em>(Messiaen); Oedipus Rex<\/em> (Stravinsky); Die Soldaten<\/em> (Zimmermann).<\/li>\n
    4. Courses<\/strong> in Conservatorio Superior de Salamanca: course of Musical Analysis until XIX century (1997); course of Musical Analysis in the XX century (1998).<\/li>\n
    5. Didactics of closeness and analysis to the music of XX century applied to secondary school <\/em>(Service of Pedagogic Renovation \u201cLas Acacias\u201d, Comunidad de Madrid, 1998).<\/li>\n
    6. Course<\/strong> of Musical Analysis (Conservatorio de Puertollano, 1999).<\/li>\n
    7. Course<\/strong> of Musical Analysis of XX century (Cons. Prof. de Cuenca, 2001).<\/li>\n
    8. Course<\/strong> of Musical Analysis of XX century (Cons. Superior de Sevilla, 2001).<\/li>\n
    9. Course<\/strong> of Musical Analysis of XX century (Cons. de Le\u00f3n, 2002).<\/li>\n
    10. Course<\/strong> History of sacred music<\/em> for the C.A.P. de El Escorial (2003).<\/li>\n
    11. Course<\/strong> of Musical Analysis of XX century (Cons. de Calahorra, 2004).<\/li>\n
    12. Course<\/strong> of Musical Analysis of second half of XX century (Cons. Prof. de Palencia, 2004).<\/li>\n
    13. Course<\/strong> of Musical Analysis of XVIII and XIX century (Cons. Elem. de Calahorra, 2005).<\/li>\n
    14. Course:<\/strong> Poetics and musical Forms<\/em> (Cons. Superior de Salamanca, 2005, 2006, 2007).<\/li>\n
    15. Course<\/strong> of Musical Analysis of second half of XX century (Cons. Prof. de Logro\u00f1o, 2005).<\/li>\n
    16. Course<\/strong> of Musical Analysis (Cons. Prof. de Melilla, 2006).<\/li>\n
    17. Course<\/strong> of Musical Analysis of Romantic Music, organised in Fundaci\u00f3n Universidad de Verano de Castilla y Le\u00f3n (Segovia, 2006).<\/li>\n
    18. Courses:<\/strong> The Iberian Sonata in XVIII century (from D. Scarlatti to Mateo Alb\u00e9niz)<\/em> and The Spanish Music in XX century (from Isaac Alb\u00e9niz to Francisco Guerrero)<\/em>, in an Erasmus interchange between teachers, imparted in \u2018Conservatorio di Musica de Bari\u2019 (2009).<\/li>\n
    19. Courses:<\/strong> Methodology of sonata<\/em>, The iberian sonata in XVIII century (from D. Scarlatti to Mateo Alb\u00e9niz)<\/em> and The Spanish Music in XX century (from Isaac Alb\u00e9niz to Francisco Guerrero)<\/em>, in an Erasmus interchange between teachers, imparted in \u2018Istituto Superiore di Studi Musicali di Caltanissetta\u2019, Sicily, Italy (2013).<\/li>\n
    20. Course:<\/strong> Methodology of Analysis applied to Chamber Music<\/em>, in Regional Centre for Renovation and Innovation \u201cLas Acacias\u201d (2014).<\/li>\n
    21. Course:<\/strong> The Music of XX and XXI centuries: Analysis and incorporation to programmes in conservatories<\/em>, in Regional Centre for Renovation and Innovation \u201cLas Acacias\u201d (2015).<\/li>\n<\/ol>\n

      [\/vc_column_text][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/3″ uncode_shortcode_id=\u00bb190155″][vc_column_text uncode_shortcode_id=\u00bb514296″]<\/p>\n

      Lectures, Master Classes and Communications<\/span><\/h4>\n

      1. Lecture<\/strong> about the opera Wozzeck<\/em> from Alban Berg, for the Association of Friends of the Opera of Madrid (1994).<\/p>\n

      2. Lecture<\/strong> in the Hochschule f\u00fcr Musik (Cologne) and in the Beethovenshaus (Bonn): Anmerkungen f\u00fcr ein Konzert [Notes for a Concert]<\/em>, with analysis of works from J.L. Turina, M. Dimbwadyo and Enrique Igoa before a concert of M\u00aa Luz Rivera (1998).<\/p>\n

      3. Lecture<\/strong> about Formal, harmonic and dramatic features in <\/em>Falstaff (Interdisciplinary Conference about G. Verdi, 2001).<\/p>\n

      4. Lecture<\/strong> about Il trovatore<\/em> for the Joven Orquesta Nacional de Espa\u00f1a. Conservatorio Jes\u00fas de Monasterio de Santander (2001).<\/p>\n

      5. Lecture<\/strong> about symphonic poems of Franck and Liszt in the congress Word and Music <\/em>held at the Universidad Complutense de Madrid (2001).<\/p>\n

      6. Lecture<\/strong> about The opera in XX century<\/em>. Escuela Municipal de M\u00fasica de Talavera de la Reina (2002).<\/p>\n

      7. Lecture<\/strong> about the opera Winterm\u00e4rchen<\/em> of Philippe Boesmans in the Universidad de Alcal\u00e1 de Henares (2003).<\/p>\n

      8. Lecture<\/strong> about Musical Analysis and performing<\/em>. Conservatorio Profesional de Logro\u00f1o (2004).<\/p>\n

      9. Lecture<\/strong> about the opera L\u2019elisir d\u2019amore<\/em> of Donizetti in the Universidad de Alcal\u00e1 de Henares (2005).<\/p>\n

      10. Lecture<\/strong> about the opera Jen\u016ffa<\/em> of Leo\u0161 Jana\u010dek in the Universidad de Alcal\u00e1 de Henares (2005).<\/p>\n

      11. Lecture<\/strong> about The opera in the XX century<\/em>. Escuela Municipal de M\u00fasica de Majadahonda (2005).<\/p>\n

      12. Lecture<\/strong> and presentation of his book El legado musical de \u00c1ngel Barja. La m\u00fasica instrumental [The musical legacy of \u00c1ngel Barja. The instrumental music]<\/em> in the \u201c\u00c1ngel Barja Memorial\u201d, Conservatorio Profesional de Le\u00f3n (2006) and Conservatorio Elemental de Astorga (2006).<\/p>\n

      13. Lecture<\/strong> commemorative at 20 years of the death of \u00c1ngel Barja. Conservatorio Profesional de Le\u00f3n (2007).<\/p>\n

      14. Lecture<\/strong> about Analysis and audition: relationship and examples in the work of Francisco Guerrero<\/em>, for the Course of Music and Heritage organised by the V Festival de M\u00fasica Espa\u00f1ola de C\u00e1diz (2007).<\/p>\n

      15. Lecture<\/strong> about the Viennese School for the course European Cities: Vienna<\/em>, organised by the Universidad Complutense de Madrid (2008).<\/p>\n

      16. Lecture<\/strong> about the music of the family Halffter: Analysis of Dos sonatas de El Escorial <\/em>of R. Halffter and Debla<\/em> & Cadencia<\/em> of C. Halffter, and paper about the contemporary opera (Q. Don Quijote en Barcelona<\/em> of J.L. Turina) en the frame of the IV Conference of Contemporary Music of the Conservatorio Profesional \u201c\u00c1ngel Barrios\u201d de Granada (2009).<\/p>\n

      17. Lecture<\/strong> about Benjamin Britten for the course European Cities: London<\/em>, organised by the Universidad Complutense de Madrid (2009).<\/p>\n

      18. Lecture<\/strong> about \u201cGy\u00f6rgy Ligeti: from micropoliphony to evocation\u201d (Lux Aeterna<\/em>, Kammerkonzert<\/em>, \u00c9tude nr.1<\/em>) for the Conservatorio Profesional \u201c\u00c1ngel Barrios\u201d de Granada (2010).<\/p>\n

      19. Lecture<\/strong> about the music in New York for the Universidad Complutense de Madrid (2010), in the frame of the course Multilingualism and multiculturalism in the North American urban area: New York<\/em>.<\/p>\n

      20. Lecture<\/strong> about Internal Rhythm and Biologic Time. A creative Counterpoint<\/em>. Course \u201cFrom the Rhythm\u201d. Casa encendida, Madrid (2012).<\/p>\n

      21. Lecture<\/strong>-introduction of his edition of 20 Sonatas<\/em> of Antonio Soler. Real Conservatorio Superior de M\u00fasica de Madrid (2012).<\/p>\n

      22. Papers:<\/strong> Presentation of the edition of 20 Sonatas of A. Soler<\/em> and The question of form in the sonatas of A. Soler<\/em>. International Symposium \u201cNew Perspectives on the Keyboard Works of Antonio Soler\u201d. FIMTE 2012 (Festival Internacional de M\u00fasica de Tecla Espa\u00f1ola). Moj\u00e1car, Almer\u00eda, 2012.<\/p>\n

      23. Lecture<\/strong>-introduction of his edition of 20 Sonatas<\/em> of Antonio Soler. Conservatorio Profesional Teresa Berganza (2013). Conservatorio Profesional Joaqu\u00edn Turina (2013). Centro Integrado de M\u00fasica \u201cAntonio Soler\u201d de El Escorial (2013). Conservatorio Profesional \u201cAdolfo Salazar\u201d (2014). Conservatorio Profesional Arturo Soria (2014). Teatre Principal de Olot, invited by Institut de Cultura d\u2019Olot, Gerona (2014).<\/p>\n

      24. Master class:<\/strong> The question of form in the sonatas of A. Soler<\/em>, for the Master in Hispanic and Hispanic American Music at the Universidad Complutense de Madrid (2014).<\/p>\n

      25. Comnunication:<\/strong> Approach to the analysis of symphonic music <\/em>for the course of Musical Analysis at the Universidad Aut\u00f3noma de Madrid in Campo de Criptana (2-4 of July, 2014).<\/p>\n

      [\/vc_column_text][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/3″ uncode_shortcode_id=\u00bb114893″][vc_column_text uncode_shortcode_id=\u00bb843915″]26. Master class:<\/strong> The analysis in the Access test to the Conservatorio Superior<\/em>. Conservatorio Jacinto Guerrero de Toledo (2015).<\/p>\n

      27. Master class:<\/strong> Methodology of the sonata<\/em>, for the Master in Hispanic and Hispanic American Music at the Universidad Complutense de Madrid (2015).<\/p>\n

      28. Lecture:<\/strong> Musical Theory and creation: mutual contributions <\/em>for the course Analysis II organized by Universidad Aut\u00f3noma in Campo de Criptana (2015).<\/p>\n

      29.\u00a0Lecture:<\/strong> The musical Baroque<\/em>. Museo del Prado de Madrid (2015).<\/p>\n

      30. Lecture:<\/strong> El Quijote in Music<\/em>. C.C. Nicol\u00e1s Salmer\u00f3n (19.10.2016).<\/p>\n

      31. Lecture:<\/strong> Panoramics of Iberian sonata for keyboard in the 18th century<\/em>. Conservatorio Superior de M\u00fasica de Vigo (8.3.2018).<\/p>\n

      32. Lecture & audition:<\/strong> Die Soldaten<\/em>, de B.A. Zimmermann. Real Conservatorio Superior de M\u00fasica de Madrid (4.5.2018).<\/p>\n

      33. Lecture & audition:<\/strong> Vienna in the 20th century: a presentation<\/em>. Bookstore Los libros salvajes<\/em>, Villaviciosa de Od\u00f3n (14.12.2018).<\/p>\n

      34. Master class<\/strong> Panorama of the Iberian sonata for keyboard in the 18th century. Centro Superior Katarina Gurska, 9.3.2019, Master Playing Spanish Music.<\/p>\n

      35. Lecture<\/strong> The Music for Organ in Spain after the Civil War. XXIII Academia Fray Joseph de Echevarr\u00eda. Carri\u00f3n de los Condes, Palencia (25.7.2019).<\/p>\n

      36. Comnunication<\/strong> Documentation and methodology of the sonatas of Soler. Research meeting about 18th century Spanish Music de m\u00fasica. Universidad Aut\u00f3noma de Madrid (27.11.2019).<\/p>\n

      37. Comnunication<\/strong> Medicin and Music: an approach. IV Meeting of the Spanish Society of Allergology and Immunity. Hospital La Paz (13.12.2019). See<\/a><\/span><\/p>\n

      38. Lecture<\/strong> Survival and modernity of Beethoven. Conservatorio Profesional de Albacete (26.2.2020).<\/p>\n

      39. Lecture<\/strong> New theories about the Sonata Form.<\/em> Opening lectura of the 1st Cycle of Webinars of the SATMUS. Europe\/America (30.1.2021).<\/p>\n

      40. Comnunication <\/strong>Las dos Sonatas de El Escorial de Rodolfo Halffter. Una mirada actualizada<\/em>. International Congress \u201cAn\u00e1lisis de M\u00fasica espa\u00f1olas y de obras de inspiraci\u00f3n hisp\u00e1nica (1833-1939): lenguajes, fuentes de inspiraci\u00f3n, procedimientos compositivos, arquetipos\u201d, organized by the University of Montpellier and the University of Oviedo (29.10.2021).<\/p>\n

      41. Seminars<\/strong> Universidad Alfonso X el Sabio: La m\u00fasica ib\u00e9rica para tecla en el siglo XVIII: una panor\u00e1mica<\/em>. (15.12.2022); Sistema arm\u00f3nico-funcional<\/em> (23.3.2023); Teor\u00eda de la sonata<\/em> (13.4.2023).<\/p>\n

      42. Communication<\/strong> Pedagog\u00eda actualizada de la sonata: I Congreso Internacional de la SATMUS.<\/em> Universidad Aut\u00f3noma de Madrid (20.4.2023).<\/p>\n

      43. Master class<\/strong> Creaci\u00f3n y an\u00e1lisis a la luz de la ret\u00f3rica.<\/em> Centro Superior Katarina Gurska (21.10.2023).<\/p>\n

      44. Research workshop<\/strong> for the master\u2019s thesis. VIU – Valencia International University. (Session 1: 23.01.2025. Session 2: 6.02.2025).<\/p>\n

      45. Masterclasses<\/strong> in the Conservatorio Superior de Navarra. Session I: Ret\u00f3rica y m\u00fasica en el Barroco (28.2.2025). Session II: Teor\u00eda de los t\u00f3picos (14.3.2025). Session III: An\u00e1lisis multidisciplinar (28.3.2025).<\/p>\n

      46. Communication<\/strong> Ret\u00f3rica actualizada: II Congreso Internacional. T\u00f3picos y m\u00fasica hispana (siglos XVIII-XXI). Universidad Complutense de Madrid (30.5.2025).<\/p>\n

      47. Communication<\/strong> Una nueva aproximaci\u00f3n al Preludio de Tristan und Isolde: I Congreso de Teor\u00eda, An\u00e1lisis y Did\u00e1ctica musical. Universidad de La Serena, Santiago de Chile (4.6.2025).<\/p>\n

      48. Masterclass<\/strong> for the Musical Analysis course of the Universidad Internacional Men\u00e9ndez Pelayo (UIMP) in Cuenca: Teor\u00eda y creaci\u00f3n musical. Aportaciones mutuas (29.7.2025).<\/p>\n

      49. Seminar<\/strong> An\u00e1lisis e interpretaci\u00f3n. Session I: Ret\u00f3rica y m\u00fasica en el Barroco (4.11.2025). Session II: Teor\u00eda de los t\u00f3picos (5.11.2025). Conservatorio Profesional Eliseo Pinedo de Logro\u00f1o (4.11-5.11.2025).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

      [vc_row][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/3″ uncode_shortcode_id=\u00bb657240″][vc_column_text uncode_shortcode_id=\u00bb485526″] Courses and Auditions Course for […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-52","page","type-page","status-publish","hentry"],"yoast_head":"\nCourses and Lectures - Enrique Igoa. 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